Showing posts with label Queen Elizabeth I. Show all posts
Showing posts with label Queen Elizabeth I. Show all posts

November 24, 2014

C.W. Gortner's The Tudor Vendetta - Guest Post and {Giveaway}


Elizabeth I: An Uncertain Beginning

In THE TUDOR VENDETTA, the third and final book in my Elizabeth I Spymaster Trilogy (Elizabeth’s Spymaster in the UK), I decided to focus on the first uncertain, tumultuous months leading up to Elizabeth I’s coronation. Although this novel is perhaps the most fictionalized of the three in the series, in that the mystery which Elizabeth’s private spy must uncover remains unsubstantiated by historical evidence, the setting I depict is not.

It’s almost impossible for us to believe now that Elizabeth Tudor faced an uncertain future upon her accession. Her forty-five year reign has been so cemented in our imagination as one of unmitigated triumph that we take it as a given. Her ability to steer past the shoals of religious discord and enmity of Catholic powers both abroad and in her realm, as well as her astonishing lack of compromise when it came to marriage, have made her an icon: the Virgin Queen, Gloriana, who once said she already had a husband, for she was “married to England.”

Nevertheless, the twenty-five year old princess who claimed the throne in November 1558 was, while superbly educated and politically savvy, still untried as a ruler. Indeed, she faced a myriad of issues that might have overwhelmed anyone but her. After her sister Mary I’s disastrous five-year reign—a portion of which is depicted in the second novel of the series, The Tudor Conspiracy— England teetered on the brink of ruin. Mary’s fervent persecution of Protestants had turned the country upside down, exiling or destroying many of the affluent merchants who upheld the Reformed Faith and formed the backbone of economic stability. Her ill-fated marriage to Philip of Spain had turned popular opinion against her, a tragic side-effect of her determination to see England restored to Rome, which annihilated the initial wave of support from her subjects that saw her to the throne. In addition, her economic policies had debased the coinage even further—an ongoing issue that had bedeviled her predecessors, and now fomented severe discontent, with the strife over the enclosure or sale of monastic lands begun under Henry VIII, a long-gnawed bone of contention between nobility and commoners.

Elizabeth thus inherited a legacy of intolerance, brutal reprisal, and financial chaos; she also was considered nearing her middle years, as surprising as this might seem to us, because of overall life expectancy in her era, and of her family, in particular. The need to marry and produce an heir was therefore paramount to her advisors, most particularly William Cecil, who had safeguarded her during the years before her accession. Marriage was deemed not only vital to shoring up her reign, but also to protecting her from foreign aggression, now personified by her cousin, Mary of Scots, the dauphine of France by virtue of her marriage to the French king’s heir. Catholics by and large believed Mary of Scots held the superior right to the English throne, based on the contention that Henry VIII’s marriage to Elizabeth’s mother, Anne Boleyn, had been illegal. Many Catholics deemed Elizabeth a bastard usurper, including the pope himself.

Elizabeth’s famous motto of video et taceo ("I see, and say nothing") may have arisen as she began to realize just how tenuous her reign could be. She is renowned for not wanting to “make mirrors into men’s souls”. Perhaps this, above all else, was her most defining characteristic. She did not believe that prying into private matters, religious or otherwise, would serve her in the long run—a rare stance for any ruler, much less an untried one, yet one which, as history would show, served her well.

In THE TUDOR VENDETTA, we meet Elizabeth in the first weeks of her much-vaunted reign—here, she is a woman who has survived more in her youth than many experience in a lifetime, having navigated the seesaw of favor and disfavor, the stigma of illegitimacy, the scandals that marred her adolescence, and even a terrifying imprisonment in the Tower. But she is not yet the Elizabeth who will eventually emerge from the forge of trial-and-error; she is not the white-faced, oversize-gowned sovereign of legend.

She is still a new queen, determined but unproven, treading on thin ice. She dreams of being the savior of her nation, but her path to glory will be arduous—and she may lose everything if she fails to protect one potentially fatal secret.

I hope you enjoy exploring this exciting time in one of history’s most dramatic eras. To learn more about THE TUDOR VENDETTA and my other books, please visit me at www.cwgortner.com

About the book
Publication Date: October 21, 2014
St. Martin’s Press
Formats: eBook, Paperback
Series: Spymaster Chronicles
Genre: Historical Mystery

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Winter, 1558: Elizabeth I has ascended the throne but the first days of her reign are already fraught with turmoil, the kingdom weakened by strife and her ability to rule uncertain.

Summoned from exile abroad at the new queen’s behest, Brendan Prescott arrives in London to face his shattered past. He soon finds himself pitted in deadly rivalry with his life-long foe, Robert Dudley, but when a poison attempt overshadows the queen’s coronation, Elizabeth privately dispatches Brendan on a far more dangerous assignation: to find her favored lady-in-waiting, Lady Parry, who has vanished in Yorkshire.

Upon his arrival at the crumbling sea-side manor that may hold the key to Lady Parry’s disappearance, he encounters a strange, impoverished family beset by grief, as well as mounting evidence that they hide a secret from him. The mystery surrounding Lady Parry deepens as Brendan begins to realize there is far more going on at the manor than meets the eye, but the closer he gets to the heart of the mystery, the more he becomes the quarry of an elusive stranger with a vendetta— one that could expose both his own buried identity and a long-hidden revelation that will bring about Elizabeth’s doom.

From the intrigue-laden passages of Whitehall to a foreboding Catholic manor and the prisons of the Tower, Brendan must risk everything to unravel a vendetta that strikes at the very core of his world, including his loyalty to his queen.

The Tudor Vendetta is the third book in Gortner’s Elizabeth I Spymaster Trilogy.

Praise for The Tudor Vendetta
“Fast paced and exciting, with a most engaging hero . . . So vivid, you feel are there!” – Diana Gabaldon, bestselling author of the Outlander series

“C.W. Gortner has done it again! Full of breathtaking action, dark twists and unexpected revelations, this is an unputdownable read.” – Michelle Moran, bestselling author of Madame Tussaud

“Suspense, intrigue, betrayal and deadly rivalry: What more can you ask for? A swashbuckling, perilous adventure.” – M.J. Rose, bestselling author of The Reincarnationist

About the Author
C.W. GORTNER holds an MFA in Writing with an emphasis in Renaissance Studies from the New College of California, as well as an AA from the Fashion Institute of Design and Merchandising in San Francisco.

After an eleven year-long career in fashion, during which he worked as a vintage retail buyer, freelance publicist, and fashion show coordinator, C.W. devoted the next twelve years to the public health sector. In 2012, he became a full-time writer following the international success of his novels.

In his extensive travels to research his books, he has danced a galliard at Hampton Court, learned about organic gardening at Chenoceaux, and spent a chilly night in a ruined Spanish castle. His books have garnered widespread acclaim and been translated into twenty-one languages to date, with over 400,000 copies sold. A sought-after public speaker. C.W. has given keynote addresses at writer conferences in the US and abroad. He is also a dedicated advocate for animal rights, in particular companion animal rescue to reduce shelter overcrowding.

C.W. recently completed his fourth novel for Ballantine Books, about Lucrezia Borgia; the third novel in his Tudor Spymaster series for St Martin’s Press; and a new novel about the dramatic, glamorous life of Coco Chanel, scheduled for lead title publication by William Morrow, Harper Collins, in the spring of 2015.

Half-Spanish by birth and raised in southern Spain, C.W. now lives in Northern California with his partner and two very spoiled rescue cats.

For more information please visit C.W. Gortner’s website and blog. You can also connect with him on Facebook, Twitter,Goodreads, Pinterest, and YouTube.


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Giveaway
To win a complete set of CW Gortner’s Spymaster Chronicles Trilogy please complete the Rafflecopter giveaway form below. Giveaway is open to US residents only.

Giveaway ends at 11:59pm on November 28th. You must be 18 or older to enter.
Winner will be chosen via Rafflecopter on November 29th and notified via email.
Winner have 48 hours to claim prize or new winner is chosen.

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September 18, 2014

E. Knight's Prisoner of the Queen - Spotlight


Publication Date: July 2014
Knight Media, LLC
Formats: eBook, Paperback
Series: Tales From the Tudor Court
Genre: Historical Fiction

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I have served three queens in my life. One was my sister, one was my savior, and one my bitterest enemy.

Knowing she was seen as a threat to the Queen she served, Lady Katherine Grey, legitimate heir to the throne, longs only for the comfort of a loving marriage and a quiet life far from the intrigue of the Tudor court. After seeing her sister become the pawn of their parents and others seeking royal power and then lose their lives for it, she is determined to avoid the vicious struggles over power and religion that dominate Queen Elizabeth’s court. Until she finds love—then Kat is willing to risk it all, even life in prison.

Tales From the Tudor Court Series
Book One: My Lady Viper
Book Two: Prisoner of the Queen

About the Author
E. Knight is a member of the Historical Novel Society, Romance Writers of America and several RWA affiliate writing chapters: Hearts Through History, Celtic Hearts, Maryland Romance Writers and Washington Romance Writers. Growing up playing in castle ruins and traipsing the halls of Versailles when visiting her grandparents during the summer, instilled in a love of history and royals at an early age. Feeding her love of history, she created the popular historical blog, History Undressed (www.historyundressed.com). Under the pseudonym Eliza Knight, she is a bestselling, award-winning, multi-published author of historical and erotic romance.

For more information please visit E. Knight’s website and blog. You can also find her on Facebook, Twitter, and Goodreads.


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Twitter Hashtag: #PrisoneroftheQueenBlogTour #HistFic
Twitter Tags: @hfvbt @elizaknight

July 10, 2014

Barbara Kyle's The Queen's Exiles - Guest Post and {Giveaway}


HOW FENELLA BECAME A STAR

Readers love series. It's a benign addiction. We get to know the continuing characters so well we can't wait to find out what happens to them in the next book.

What happens can sometimes surprise the author. The surprise for me was Fenella Doorn.

Fenella is the heroine of my new historical thriller, The Queen's Exiles. She's a savvy Scottish-born entrepreneur who salvages ships. This is the sixth book in my Thornleigh Saga which follows a middle-class English family's rise through three tumultuous Tudor reigns.

Fenella played a small but crucial role in The Queen's Gamble, and then I kind of forgot about her. She didn't appear in the next book, Blood Between Queens, but when I was planning the story after that Fenella sneaked up me.

She's a determined, passionate, courageous woman, and rather cheeky—she insisted that I include her in the new story. She reminded me that she had past connections with two exciting men in the series, Adam Thornleigh and Carlos Valverde, which promised some dramatic sparks.

So, I did more than include her in the new book. I made her its star.

That can happen when you write a series—a secondary character can take over. I was glad Fenella did. She offered me an opportunity to create a complex, admirable woman who doesn't fit the ingĂ©nue heroine so common in historical fiction.

She's not a young thing; she's thirty. She's not a pampered lady; she rolls up her sleeves running her business of refitting ships. She's attractive but not a smooth-faced beauty; her cheek is scarred from a brute's attack with a bottle years ago. And she's not a virgin; she was once the mistress of the commander of the Edinburgh garrison (he of the bottle attack).

In other words, Fenella is my kind of woman.

But making her the star of the new book in my series meant some serious recalibrating. How could I fit her into the Thornleigh family? Writing a series opens up a vista of opportunities but also a minefield of traps. I'll share a few with you here.

Creating a Series Bible

Before writing full time I enjoyed a twenty-year acting career, and one of the TV series I did was a daytime drama called High Hopes. Its writers kept a story "bible," a record of the myriad details that had to be consistent from show to show concerning the dozens of characters. It's a wise practice for the writer of a series of novels, too.
My Thornleigh Saga books follow a family for three generations so it's easy to forget facts about a character that were covered three or four books ago. So I keep a "bible" that tracks the characters' ages, occupations, marriages, love affairs, children, ages of their children, homes, character traits, and physical details like color of hair . . . and missing body parts! Richard Thornleigh loses an eye in The Queen's Lady (Book 1) yet in later books I would often start to write things like, "His eyes were drawn to ..." So I keep that "bible" near.

Each Book Must Stand On Its Own

An author can't assume that readers have read the previous books in the series. My agent always reminds me of this when I send him the outline for a new book in the Thornleigh Saga. "Many readers won't know what these characters have already been through," he wisely says.

So each book has to give some background about what's happened to the main characters in the preceding books, enough to fill in new readers. However, it can't lay on so much back story that it bores readers who have followed all the books. Getting the balance right is tricky.

I like the way episodes in a TV series start with a recap: "Previously on Downton Abbey . . . " It refreshes the memory of viewers who've seen the previous episodes, and is just enough to tantalize those who haven't and fill them in. I wish I could have an announcer give a recap at the beginning of my Thornleigh books! The point is, each book in a series has to stand on its own. It must be a complete and satisfying story for any reader.

Consistency Can Yield Rewards

When I had a brute cut Fenella Doorn's cheek in The Queen's Gamble I never expected Fenella to reappear in a future story. Two books later, when I brought her back in The Queen's Exiles, I could not ignore the fact that she would have a sizable scar on her cheek. So I used that scar to enrich her character.

She had been a beauty at eighteen, relying on men to support her, but when her cut face marred her attractiveness she realized that it was now up to her to put bread on the table and clothes on her back. I made her aware, even grateful, that the scar freed her from the bonds of beauty; it made her independent. And she became a successful entrepreneur.

Letting Characters Age

It's hard for readers to believe that a hero can fight off bad guys like a young stud if the decades-long timeline of the books he appears in make him, in fact, a senior citizen. J. K Rowling was smart. She let Harry Potter and his friends grow up.

I've enjoyed letting my characters age. Through six books I've taken Honor Larke from precocious seven-year-old to wise grande dame as Lady Thornleigh. Her step-son Adam Thornleigh's first big role was in The Queen's Captive where he was an impetuous seafaring adventurer, but by the time of The Queen's Exiles Adam has become a mature man, a loyal champion of his friend Queen Elizabeth. He has been through a loveless marriage, adores his two children, and falls hard for Fenella Doorn.

I'm grateful that Fenella insisted I feature her in The Queen's Exiles. (By the way, that's her on the cover.) The book has been out for just a month and already I'm hearing from readers that they love her.

I don't know if Fenella will reappear in a future book or not, but right now she's a star.

About the book
Publication Date: May 27, 2014
Kensington Publishing
Formats: Ebook, Paperback

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Europe is in turmoil. A vengeful faction of exiled English Catholics is plotting to overthrow Queen Elizabeth and install her cousin Mary, Queen of Scots on the throne. And in the Netherlands the streets are red with the blood of those who dare to oppose the brutal Spanish occupation. But amid the unrest, one resourceful young woman has made a lucrative enterprise. Scottish-born Fenella Doorn salvages crippled vessels. It is on one of these ships that she meets wealthy Baron Adam Thornleigh. Secretly drawn to him, Fenella can’t refuse when Adam enlists her to join him in war-torn Brussels to help find his traitorous wife, Frances—and the children she’s taken from him. But Adam and Fenella will put their lives in peril as they attempt to rescue his young ones, defend the Crown, and restore a peace that few can remember. With eloquent and enthralling finesse, Barbara Kyle illuminates one of history’s grimmest chapters. The Queen’s Exiles breathes new life into an extraordinary age when love and freedom could only be won with unmitigated courage.

READ THE FIRST CHAPTER.

Praise for The Queen’s Exiles
“Riveting Tudor drama in the bestselling vein of Philippa Gregory” – USA Today

“A bold and original take on the Tudors that dares to be different. Enjoy the adventure!” – Susanna Kearsley, New York Times bestselling author

“This moving adventure pulses with Shakespearean passions: love and heartbreak, risk and valour, and loyalties challenged in a savage time. Fenella Doorn, savvy and brave, is an unforgettable heroine.” – Antoni Cimolino, Artistic Director of the Stratford Festival

“Brilliant. A page-turner of love and loyalty in treacherous Tudor times. A truly unforgettable adventure.” – Deborah Swift, author of A Divided Inheritance

“A vivid and compelling novel by an author at the very top of her craft.” – Diane Haeger, author of I, Jane

Praise for Barbara Kyle’s Books

“Kyle knows what historical fiction readers crave.” – RT Book Reviews on Blood Between Queens

“A complex and fast-paced plot mixing history with vibrant characters” – Publishers Weekly on The King’s Daughter

“An all-action thriller, bringing to life the passion and perils of the Tudor period.” – Lancashire Evening Post on The King’s Daughter

“Riveting…adventurous…superb!” – The Historical Novels Review on The Queen’s Gamble

“An exciting tale of the intrigue and political manoeuvring in the Tudor court.” – Booklist on The Queen’s Captive

“Boldly strides into Philippa Gregory territory…sweeping, gritty and realistic.” – The Historical Novels Review on The Queen’s Lady



About the Author
Barbara Kyle is the author of the acclaimed, internationally-published Thornleigh Saga novels which follow a middle-class English family’s rise through three tumultuous Tudor reigns:

The Queen’s Exiles
Blood Between Queens
The Queen’s Gamble
The Queen’s Captive
The King’s Daughter
The Queen’s Lady

Barbara was a speaker in 2013 at the world-renowned Stratford Festival with her talk Elizabeth and Mary, Rival Queens and is known for her dynamic workshops for many writers’ organizations and conferences. Before becoming an author Barbara enjoyed a twenty-year acting career in television, film, and stage productions in Canada and the U.S.

For more information visit www.barbarakyle.com. You can also connect with Barbara at Facebook, Twitter, and Goodreads.


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April 13, 2013

(Giveaway) Was Elizabeth I a Woman Hater? by Sandra Byrd

We welcome Sandra Byrd to HF-Connection with covetous delight as we swoon over the bling being given away! Thank you to Sandra for offering the prizes to go with the following article on our beloved Queen Elizabeth:

Was Elizabeth I a Woman Hater? 
Sandra Byrd

There has long been an “urban rumor” that Elizabeth Tudor hated other women. It’s true that she was a female monarch in a time which greatly preferred sovereign men. {Note the extent to which her father, Henry VIII, extended himself to get a male heir, as well as the contents of John Knox’s much-circulated pamphlet, “The First Blast of the Trumpet Against the Monstrous Regiment of Women,” which railed against sitting queens and regents of the era.} Elizabeth didn't forestall imprisoning women for long periods of time, such as her Grey cousins and Mary Queen of Scots, when she felt they threatened her throne, which admittedly may have seemed unfeminine and harsh.

Because of her ruling position, Queen Elizabeth was never really able to be an equal companion with anyone. William Cecil, 1st Baron Burghley, who dedicated his life to her service, once said the queen was “more than a man and, in truth, something less than a woman.” And yet, perhaps that was a man's perspective, or one man's perspective of a woman with power. Elizabeth knew how to dress like a woman, flirt like a woman, fall in love like a woman, and there were certainly women who were in every sense her lifelong friends.

Take for example, Katherine Carey Knollys, daughter of Mary Boleyn. Shortly after Elizabeth became queen, she installed this cousin as Chief Lady of the Bedchamber and kept her close at hand, perhaps to the detriment of Knollys family, till the day Lady Knollys died.

Katherine “Kat” Ashley and Blanche Parry stayed with Elizabeth from her childhood until each woman died. Because Elizabeth was deprived of her own mother as a young girl, Ashley and Parry became surrogate mothers to her. Ashley spoke bluntly to Elizabeth when no one else dared, and Parry continued on in Elizabeth’s household in positions of honor and affection long past her abilities warranted them.

Anne Russell Dudley married Lord Ambrose Dudley, the brother of Elizabeth’s longtime love, Robert, and became the Countess of Warwick. But even before then, Anne served Elizabeth as a maid of honor. They became great friends, and Anne stayed by her mistress’ side until Elizabeth died in 1603.

Catherine Carey, the Countess of Nottingham, was the eldest daughter of Henry Carey, 1st Baron Hunsdon, Mary Boleyn’s son and therefore a cousin to Elizabeth; she died shortly before Elizabeth did, and it was said that her death was the loss Elizabeth was unable to bear, eventually leading to the queen's lack of will to live.

And then in 1566, Elin von Snakenborg came from Sweden to England. The queen intervened, unusually, with another monarch in order to allow Elin to remain in England. Elizabeth, as famous for counting her pennies as her grandfather Henry VII, atypically awarded rooms, a servant, and a horse to Elin (later Helena) within months of her arrival. Throughout her service, Helena was known as someone who couldn’t be bribed. She became a great friend of the queen and the highest ranking woman in England after Elizabeth, though that friendship was tested perhaps more than many of the queen's confidantes.

But what about all those women Elizabeth is supposed to have precluded from getting married, insisting that they remain virgins like herself? There is no doubt that from time to time Elizabeth expressed, sometimes forcefully, her preference that her ladies not marry. Anne Somerset, in her biography, Elizabeth I, states, “The Queen's opposition to her ladies marrying stemmed from more than mere jealousy that they should attain contentment of a sort that she would never know. Although she occasionally lamented her spinsterhood, simultaneously she entertained an altogether contradictory conviction that matrimony was an undesirable condition for women, a view not altogether surprising when one recalls that her father had executed her mother and stepmother, and the marriage of her sister had been a fiasco. It may well have been her early experience that instilled in her that instinctive aversion to the married state.”

While the Queen clearly enjoyed her power, she perhaps also keenly felt the loss of the kind of social and emotional intimacy that all people, and especially women, desire in a family. And yet she had no mother or father, no siblings, no husband, no children and her (Tudor) cousins all had claim to her throne. Historian and author Antonia Fraser said, “Her [Elizabeth’s] household resembled a large family, often on the move between residences, and as a family it had its feuds when factions formed around strong personalities. It was not out of malice that Elizabeth opposed her maids of honors’ plans to marry, but because marriages broke up her own family circle.”

The queen did, sometimes, help them to marry and marry well. Somerset says, “She (Elizabeth) could point out in the course of her reign no less than 13 of her maids of honor contracted prestigious marriages within the peerage, and this might seem to justify her claim that it was only unsuitable matches of which she disapproved.” The trick, of course, is that one never knew if the queen would approve or not. The consequences of the latter could be severe and long lasting.

On the whole, though, it certainly cannot be proved that Elizabeth Tudor hated women; in fact, the handful of long term, devoted friendships we know about prove otherwise. She gifted those women with rents, properties, perquisites, trust, affection, gowns and jewels, and emotional intimacy. Oxford University historian Susan Doran states in her book, Queen Elizabeth I, “It should also not be forgotten how loyal and gracious she could be to her intimates and that the turnover of her household was very low. The majority of women served until death or severe illness intervened.”

GIVEAWAY!!
April 9, 2013
Elizabeth Tudor bling!


Giveaway of beautiful Elizabeth I necklace!


Roses Have Thorns by Sandra Byrd (book 3 in Ladies In Waiting)
In 1565, seventeen-year-old Elin von Snakenborg leaves Sweden on a treacherous journey to England. Her fiance has fallen in love with her sister and her dowry money has been gambled away, but ahead of her lies an adventure that will take her to the dizzying heights of Tudor power. Transformed through marriage into Helena, the Marchioness of Northampton, she becomes the highest-ranking woman in Elizabeth’s circle. But in a court that is surrounded by Catholic enemies who plot the queen’s downfall, Helena is forced to choose between an unyielding monarch and the husband she’s not sure she can trust—a choice that will provoke catastrophic consequences.


Vividly conjuring the years leading up to the beheading of Mary Queen of Scots, Roses Have Thorns is a brilliant exploration of treason, both to the realm and to the heart.



One lucky follower of HF-Connection will receive a copy of Sandra Byrd's Roses Have Thorns AND the necklace shown above featured a favorite Tudor icon of Elizabeth I. Please enter via the Rafflecopter form and follow the prompts. Offer valid to USA only.


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June 08, 2012

Her Majesty's Will by David Blixt

 From David Blixt, the author of Her Majesty's Will, a novel of Will Shakespeare and the Babington Plot:


HER MAJESTY’S WILL is many things.


It’s a spy novel.
It’s a Tudor novel.
It’s a Shakespeare novel.
It’s my (unintentional) answer to the film Anonymous.
It’s inspired by Tom Jones (both the novel and the film).
It’s an ode to the late Robert Asprin’s Myth Adventures series.
And it’s an homage to Bob Hope and Bing Crosby. (I’ve always loved the Road Movies, the original buddy comedies.)

So when I first conceived this rather ridiculous story, it leapt from my brain like Athena from the brow of Zeus, fully formed.: Will Shakespeare. Kit Marlowe. The Babington Plot. Absurd!

And yet – Marlowe was a spy for Walsingham. Shakespeare did have these ‘lost years’ between Stratford and his first recorded London appearance. And the cast of London characters is far too good to resist.

I love spy novels, with secrets and reveals. But too often the right piece of information comes along at just the right moment. What if it didn’t? What if we think we have all the pieces, only to discover we’re just really bad at being a spy.


I love Tudor novels, with their copious details and period flavor. But too many of them seem to view the world from the court down, not the gutter up. Actors were the ones who bridged that divide, residing in the gutter but playing for monarchs. Warfare, church, and theatre – the three modes of social mobility. What if we never even get more than a glimpse of Elizabeth and her court?

And I love Shakespeare, love him too much to leave him in peace. Because while I love him, I do not revere him. His characters are great, but his plots are pretty dumb. He stole everything he ever wrote, and just happened to improve it along the way, thereby helping to create the modern idea of humanity.

So for HER MAJESTY’S WILL, I employed a ridiculous stolen plots with copious details amid lots of secrets and reveals. Most of all, it’s a buddy comedy. Will and Kit on the Road to London.

I hope it’s as fun to read as it was to write. Because I was smiling the whole time.


Her Majesty's Will by David Blixt
Available on Amazon
 Before he was famous, he was a fugitive.
Before he wrote of life, he lived it.
Before he was a bard, he was a spy.
A very poor spy.
England, 1586. Swept up in the skirts of a mysterious stranger, Will Shakespeare becomes entangled in a deadly and hilarious misadventure as he accidentally uncovers the Babington Plot, an attempt to murder Queen Elizabeth herself. Aided by the mercurial wit of Kit Marlowe, Will enters London for the first time, chased by rebels, spies, his own government, his past, and a bear.
Through it all he demonstrates his loyalty and genius, proving himself to be – HER MAJESTY'S WILL.

I LOVE this book! I'm laughing and on the edge of my seat and turning the e-pages so fast, I'm gonna fry my iPad. -- C.W. Gortner, author of THE QUEEN'S VOW and THE TUDOR SECRET

Author sites - http://www.davidblixt.com/ http://www.themasterofverona.com/
Read David Blixt's other posts on HF-Connection

April 25, 2012

Guest Post: Robert Parry, author of Virgin and the Crab

Welcoming author Robert Parry today in honor of the 3rd Birthday of his debut novel, Virgin and the Crab!


HISTORICAL FICTION – A Writer’s Perspective on Celebrating the 3rd Birthday of his Debut Novel

Once upon a time, in the days before the interenet and the advent of so much of the passionate discussion that we now encounter online, the work of the writer of historical fiction was relatively easy. One simply got hold of a biography or two, looked up a few facts and figures, dates and places, and hey-presto! The author could then just let his or her imagination run riot and delight everyone with yet another story about their chosen heroes, all those kings and queens of bygone days and all their legendary exploits! 

Now, however, it is all so different. Now every possible item of information about every prominent historical figure is scrutinised and picked to pieces by whole armies of avid enthusiasts. Do you think you know where Queen Elizabeth was located on such and such a date, who she was with, or even what she might have been eating for dinner? It’s all out there … somewhere. And it changes quite often, too. So if you are not content with one version of events, you can always find an alternative point of view, supported by this or that document or state paper or erudite thesis from prominent scholars or TV personalities who all insist they have the right answer. There also seems to be a clear trend - away from information written down by people who actually lived at the time (unreliable – what did they know, anyway!) towards the discovery of more and more unromantic counter-assertions that seek to ‘put the record straight’ or ‘explode the myths.’ There are even a number of historians who have become novelists themselves! The whole genre has moved up a notch. Or has it?

The question is, should writers of historical fiction now be quaking in their boots at the prospect of any new venture they plan? Should they pepper their pages with footnotes and provide appendices explaining why they chose to write what they did, and the sources they used – a little apologetic perhaps just in case they might have drifted too far into the realms of speculation or untruth? Should they? No, of course not. That’s why, whenever I sit at my desk and reach for the keyboard, I console myself with the recollection that literature, be it good bad or indifferent, is a branch of the arts. And whenever the day comes when artists begin to worry about what they write or whether it conforms to some external standard of conduct, or version of ‘truth’ as perceived at the time, then it probably ceases to be art at all - and then we are all in big trouble. 

Well, all this might sound terribly irresponsible, and anarchic, and there are certainly many people who would disagree. But my assertion is this: it is every bit as interesting for writers and readers of historical fiction to speculate on what their characters might have been thinking about, dreaming about and imagining for themselves, as it is to describe what they actually did. This approach provides us with a number of possible insights into the past, insights that can reveal how the world we live in today might have been formed and, ultimately, why we are who we are, and why we think the way we do. And that, I believe, is important.


Thanks to Michelle for her continued support of this novel and for hosting this article here today. ‘Virgin and the Crab’ is named after the astrological signs of the two main characters: Virgo (the Virgin) for Elizabeth Tudor, and Cancer (the Crab) for her illustrious mentor John Dee. It is set in a period of twelve short years (1547 to 1559) in which England saw no less than two kings and three queens upon the throne in rapid succession. As you can imagine, there certainly was a lot of research needed in the making of it. But it’s not a history book, and the sub-title should serve as a suitable health warning: ‘Sketches Fables and Mysteries from the Early Life of John Dee and Elizabeth Tudor.’ In other words it is all rather theatrical; dramatic and full of fantasy, dreams and speculation. 

To celebrate it’s 3rd Birthday there is a giveaway contest taking place over at The True Book Addict. Good luck, if you enter. 

My website is on: http://robertparry.wordpress.com
And looking forward, perhaps, to meeting you on my Facebook page, too, sometime: https://www.facebook.com/RobertParry.author

March 30, 2011

Book Review: Elizabeth I: A Novel by Margaret George

Previously posted on The Burton Review:




Elizabeth I: A Novel by Margaret George
Hardcover: 688 pages
Publisher: Viking Adult (April 5, 2011)
ISBN-13: 978-0670022533
Review copy provided by the publisher, with many thanks!!
The Burton Review Rating:Five Gorgeous Stars!







Margaret George is one of those iconic historical fiction authors that even if you have not read her books, you have heard of her. I have been collecting her books but have not been able to read them as they look so daunting in size. This year, fans are treated to another tome by Margaret George as she brings us a novel on Elizabeth I. This is not your ordinary Elizabeth I novel for two reasons: 1. It is written by Margaret George. 2. It begins in 1588, when Elizabeth is fifty-five and about to face the Spanish Armada.

I was ecstatic when I realized this was not another rehash of Elizabeth's life from Thomas Seymour's pats on her butt to her struggles during her sister's Mary's reign, though it does cover the rise and fall of the Earl of Essex in detail. I was then overly ecstatic when I realized that this novel also features Lettice Knollys, whom Elizabeth liked to call the she-wolf. My Enemy The Queen by Victoria Holt was one of my favorite Tudor reads and I loved Lettice as she tried to out-maneuver Elizabeth every chance she got. The rivalry was heightened when Lettice married Elizabeth's favorite, Robert Dudley the Earl of Leicester.

Elizabeth I: A Novel read very much like the Dickens' favorite A Christmas Carol. We see through the aged Elizabeth's eyes the ghosts of the past from her parents to her favorites who flit in and out of her consciousness; the present with the younger courtiers who no longer have anything of value to Elizabeth except their looks; the future of England because of course this Virgin Queen left no heir for England. The decisions of the past and the present and how they affect the future of England are also an underlying theme for Elizabeth as she struggles to maintain her hold on the country that she married for richer or for poorer. The Spanish Armada was always a threat, and even though she was able to defeat it in 1589, by the time Spain had rebuilt its forces to strike again, Elizabeth's most trusted advisors and the strongest fighters and nobles had withered away.

Elizabeth hated most of all Lettice Knollys, who had secretly married Elizabeth's perhaps one true love Robert Dudley. Lettice was like Elizabeth in many ways as far as stubbornness and force of will, but promiscuous Lettice lacked the self-control of the Virgin Queen. Lettice was also the mother of Elizabeth's next favorite after Robert Dudley, the Earl of Essex Robert Devereux. In and out of this story of Elizabeth we are treated to chapters devoted to Lettice, as she struggles in vain to regain all that she has lost since Robert Dudley's death. Her one shining hope remains with her son the Earl of Essex, as he hopes for favors from Elizabeth I to help sustain his family. Robert Devereux is headstrong and unruly, and both Lettice and Elizabeth had difficulty with restraining Robert's self-destruction, and this spiral of love and hate between the Queen and Essex became interwoven into the novel as a major theme.

There were many names and titles, and a few Roberts as Robert Cecil is also featured here. There were even surprising occurrences behind closed doors, including the famous Will Shakespeare. The cousins descended from the Boleyn family are a strong part as the old loyal favorites of Elizabeth who always stayed loyal. And yet there were always some who were tired of Elizabeth's Protestant ways as more religious strife occurred with both Catholics and Puritans. The crisis in Ireland and the years of crop failure are another focus as Elizabethans struggled to maintain the Golden Age. The wax and wane of Elizabeth's reign is well known to Tudor fans, but I have not read any novels that actually spotlight their entire work on the wane of Elizabeth's life such as Margaret George's does here. Names of courtiers are weaved in and out of the story like our own old friends, so that those readers familiar with the Tudor era will feel right at home without getting another monologue of the backstory of each person. It is only for that reason that newbies to the Elizabethan era may find themselves lost in the vague comings and goings of the important people of Elizabeth's time, but as a lover of Tudor fiction I appreciated it as the minute details are lightly touched upon as a refresher.

The first person point of view of Elizabeth (and intermittently Lettice) seemed spot on.. the face on the outside to her subjects being different than the thoughts swirling in her head; slightly sarcastic and witty in her aging years even though she seemed a bit shocked that she was as old as she was. The magnificence of this tome is the way that George encompasses the era, without leaving out the other minor and major players of the court. This novel is by far the most human look at Elizabeth that I've ever read as the author brings Elizabeth to grips with her legacy that includes her executed mother and her tyrant father. I especially loved the secret garden scene at Hever Castle.

 This is a very detailed book and even though it is fiction I felt like I was being educated during the read. I loved this look at the last decade of Elizabeth's reign, and admired the amount of facts and the imagery that were blended throughout the story. This is the epitome of a well-researched book, and since it was enjoyed on so many levels it would be remiss if you did not include this latest Elizabeth I novel on your Tudor bookshelf. Elizabeth I: A Novel is an absolute must read for Elizabeth I fans, as this novel is a fitting tribute to the woman and Virgin Queen that seemed to outwit many of her enemies and always made sure she was above reproach. This one is certainly going on my Favorites of 2011 post.

Other pieces that I recommend that deal with the fall of Essex and his relationship with Elizabeth are Elizabeth & Essex: A Tragic History by Lytton Strachey and  The Private Lives of Elizabeth and Essex, a 1939 movie featuring Bette Davis. Also, I have yet to read The Walsingham Woman, by Jan Westcott, about Frances Walsingham married to Phillip Sidney first then the Earl of Essex. Frances is mentioned a lot in George's novel which is why I include Westcott's here. And as mentioned before, there is Victoria Holt's My Enemy the Queen which I loved. 

I am also beyond excited to be able to see Margaret George speak for the Arts & Letters Lectures held at the Dallas Museum as part of her book tour for Elizabeth I. You can buy tickets via the museum if you want to hear her speak and get your book signed. I hope to see you there, or you can visit this link to see if she will be coming to a town near you!