Showing posts with label French Revolution. Show all posts
Showing posts with label French Revolution. Show all posts

December 18, 2014

Spotlight on Mark Patton's Omphalos


Please join Mark Patton as he tours the blogosphere with HF Virtual Book Tours for Omphalos, from December 5-19.

Publication Date: December 5, 2014
Crooked Cat Publications Formats: eBook, Paperback
Pages: 312
ISBN: 978-1-910510-06-3
Genre: Historical Fiction

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SIX EPOCHS, TEN LIVES INTERSECTING AT A SINGLE PLACE.
2013: Al Cohen, an American in search of his European heritage.
1944-1946: Friedrich Werner, an officer of the Wehrmacht and later a prisoner of war. His wife Greta, clinging to what remains of her life in war-torn Berlin.
1799: Suzanne de Beaubigny, a royalist refugee from revolutionary France.
1517: Richard Mabon, a Catholic priest on pilgrimage to Jerusalem with his secretary, Nicholas Ahier.
1160: Raoul de Paisnel, a knight with a dark secret walking through Spain with his steward, Guillaume Bisson.
4000 BC: Egrasté, a sorceress, and Txeru, a man on an epic voyage.
Transgressions, reconciliations and people caught on the wrong side of history.
Omphalos. A journey through six thousand years of human history.

Praise for Omphalos
"Omphalos is a powerful word, a powerful connotation, as are the stories focused on in this excellent collection. The author leads the reader from one story to the next like an easy progress through the chambers of La Hougue Bie, followed by a reverse journey of revelation. To say too much of how this is cleverly achieved through the excellent use of letters, prose and poetry, I feel, would spoil the enjoyment of a potential reader. The skilful writing techniques used make it a thoroughly engrossing read. I have no qualms in recommending ‘Omphalos’ to the lover of historical fiction and to those who enjoy a well-crafted tale." - Nancy Jardine

Pre-Order the Book
Amazon US
Amazon UK


About the Author
Mark Patton was born and grew up on the island of Jersey. He studied Archaeology & Anthropology at Cambridge and completed his PhD at University College London. He has taught at the Universities of Wales, Greenwich and Westminster, and currently teaches with The Open University. He is the author of two previous historical novels, Undreamed Shores (Crooked Cat, 2012) and An Accidental King (Crooked Cat 2013).

For more information please visit Mark Patton's website and blog. You can also connect with him on Twitter and Goodreads.

Omphalos Blog Tour Schedule

Friday, December 5
Review at Back Porchervations
Monday, December 8
Guest Post & Giveaway at Words and Peace
Wednesday, December 10
Spotlight at CelticLady's Reviews
Thursday, December 11
Spotlight at Book Babe
Guest Post at Just One More Chapter
Monday, December 15
Review at Book Nerd
Tuesday, December 16
Review at Svetlana's Reads and Views
Wednesday, December 17
Spotlight at The Writing Desk
Thursday, December 18
Spotlight at Historical Fiction Connection
Guest Post at What Is That Book About
Friday, December 19
Review at Diary of an Eccentric
Spotlight at Let Them Read Books

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January 30, 2014

Heather Webb's Becoming Josephine - Author Interview


Thank you for being our guest on Historical Fiction Connection today, Heather. We appreciate you answering our questions and look forward to your answers.

Thank you for having me! I’m glad to be here.

HFC: What inspired you to become a historical novelist?

I blame my parents for my love of history. My dad has always been a big fan of old movies, westerns, musicals from the golden age of Hollywood, etc, and I watched alongside him, soaking up all those glorious details from Ben Hur and the like. My mother was an avid museum-goer and each time we moved to a new town (military) or traveled far from home, we would hit every museum in the area. As a kid, that had its painful moments, but as an adult, I’m so utterly grateful for the love of culture and history they instilled in me.

HFC: Your book is about Josephine Bonaparte, a very intriguing and popular figure in history. What is it about her story that captivates the world, even after all these years?

Josephine has the classic rags-to-riches story, in which she starts out as poor nobility on a sugar plantation, braves horrid men, rebellion, and prison to become not just a leader of France, but a beloved icon. What’s not to love about that? But also, the fact that her stations in life constantly changed and she adapted, that she always found a way out to make a life for herself during a volatile era is fascinating and inspiring. Several thousand gorgeous gowns and jewels never hurt anything either…

HFC: What is your opinion of Napoleon historically? Do you think he was unfair to Josephine?

My opinion is that the man was damaged at a young age. He lost his father, lived in a country constantly at war, and had a horrible mother who belittled the lot of her children by turns and then stroked their egos when it did them little good. When Napoleon was sent to school in France, he was an outsider. He was mocked by his classmates for being a foreigner and struggled to be accepted the whole of his education.

I guess what I’m getting at here, is that everyone has their story. There are reasons why we are shaped the way we are. Nature & nurture both play a part. He was driven and rageful, but also charismatic—a real leader that people rallied behind. I think he did a lot of good for France. That being said, he was a murderous tyrant who massacred whole peoples in the name of his own lust for power and greed. An inexcusable and hideous side to him, yet, I couldn’t help but see his more humane side. He loved fiercely and was even a bit of a poet, if you read his letters.

In terms of fairness, Josephine wronged Napoleon initially, yet he also knew she didn’t love him. But there was a time when she ceased all communications with other men and devoted herself entirely to Bonaparte’s cause and their reign. So yes, in a way, I think he was unfair to her. He crushed her when she discovered how he was using women to make himself feel like a man. The divorce was an even bigger blow, but in the end, Napoleon loved no one the way he loved Josephine.

HFC: Do you have a process when you're doing research for your books?

Not exactly—sort of? I scour the internet looking for books I can buy on my subjects, check out everything I can find in the state library system, view documentaries, etc. From there, I make a historical outline and a scene outline. But I’ve found myself constantly looking things up. Sometimes I just need a prop in a scene and I’ll spend hours researching information on a single prop. It’s easy to go down the rabbit hole when you love to learn. Also, for my third draft, I sweep through the pages fact-checking again and adding more historical info where appropriate so I wind up researching again. Researchitis is a disease we historical writers suffer from!

HFC: I know you teach writing classes and have an online presence giving advice as well. For aspiring writers of historical fiction, what would be some pointers for them?

One: If you want to be traditionally published, study the trends. Walk through a bookstore and see what’s selling. Sometimes the fact that’s it’s never been done before is a bad thing—it means it won’t sell. Beware of that. You may want to reevaluate your goals. For the record, I didn’t do this before I began Becoming Josephine, but I have since.

Two: I read and research widely, which includes travel, but I am not a historian. I’m a novelist. I grow tired of the constant push and pull between “he/she’s accurate” or “he/she’s inaccurate”—all of the finger pointing historical novelists do to each other. My advice to aspiring writers is to enjoy researching and writing about your topic. Pay attention to detail, but remember that history is far more fluid than what the “experts” say and fiction even more so. What you want is to entertain readers, enflame their imaginations—their hearts! And inspire them to want to read more on a subject. If you’ve managed to do that, you’ve done your job. Readers can consult the many nonfiction books on a given topic until their heart’s content, if they so choose. In other words, don’t get bogged down in every fact and detail. In fact, you will have people tell you that you’re wrong about a particular point, even if you taken it straight from a primary source. It’s happened.

HFC: Are you currently reading any historical fiction? If so, which one(s)?

I just finished reading THE LION AND THE ROSE by Kate Quinn. She’s become one of my favorite historical authors. Her books move at a clip and are loaded with wit and bawdy humor. Currently I’m reading LONGBOURN by Jo Baker.

HFC: What is your favorite historical fiction book and/or your favorite historical author?

I don’t have a favorite, but there are many I adore. Diana Gabaldon, Kate Quinn, Michelle Moran, Erika Robuck, Jessica Brockmole, Sena Jeter Naslund. I’m excited to try other authors people always talk about like Bernard Cornwell and Sharon Kay Penman and Sarah Dunant. They’re on my list!

HFC: Do you have your next project in the works and can we get a hint?

Yes! My next book just sold to Plume, once more, so I’m thrilled to share. It’s called RODIN’S LOVER and it tells the story of Camille Claudel, sculptress, lover, and collaborator to the famed Auguste Rodin. I explore the themes of love, obsession, and madness set to the backdrop of Belle Époque Paris. It’s scheduled to release in winter of 2015.

Heather, thanks again for joining us today. We really enjoyed chatting with you and look forward to hosting you here at HFC again in the future. We wish you continued success with Becoming Josephine.

Thanks so much!

Be sure to stop over at my blog, The True Book Addict, to find out in my review why I consider Becoming Josephine a must-read and be sure to enter the GIVEAWAY.

About Becoming Josephine
Publication Date: December 31, 2013
Plume Books/Penguin
Paperback; 320p
ISBN-10: 0142180653

Rose Tascher sails from her Martinique plantation to Paris to trade her Creole black magic culture for love and adventure. She arrives exultant to follow her dreams of attending Court with Alexandre, her elegant aristocrat and soldier husband. But Alexandre dashes her hopes and abandons her amid the tumult of the French Revolution.

Through her savoir faire, Rose secures her footing in high society, reveling in handsome men and glitzy balls—until the heads of her friends begin to roll.

After narrowly escaping death in the blood-drenched cells of Les Carmes prison, she reinvents herself as Josephine, a socialite of status and power. Yet her youth is fading, and Josephine must choose between a precarious independence and the love of an awkward suitor. Little does she know, he would become the most powerful man of his century- Napoleon Bonaparte.

BECOMING JOSEPHINE is a novel of one woman’s journey to find eternal love and stability, and ultimately to find herself.

Praise for Becoming Josephine

“Heather Webb’s epic novel captivates from its opening in a turbulent plantation society in the Caribbean, to the dramatic rise of one of France’s most fascinating women: Josephine Bonaparte. Perfectly balancing history and story, character and setting, detail and pathos, Becoming Josephine marks a debut as bewitching as its protagonist.” –Erika Robuck, author of Hemingway’s Girl

“With vivid characters and rich historical detail, Heather Webb has portrayed in Josephine a true heroine of great heart, admirable strength, and inspiring courage whose quest is that of women everywhere: to find, and claim, oneself.” –Sherry Jones, bestselling author of The Jewel of the Medina

“A fast-paced, riveting journey, Becoming Josephine captures the volatile mood of one of the most intense periods of history—libertine France, Caribbean slave revolts, the French Revolution and the Napoleonic Wars—from the point of a view of one of its key witnesses, Josephine Bonaparte.” –Dana Gynther, author of Crossing on the Paris

“Vivid and passionate, Becoming Josephine captures the fiery spirit of the woman who stole Napoleon’s heart and enchanted an empire. –Susan Spann, author of The Shinobi Mysteries

“Spellbinding . . . Heather Webb’s novel takes us behind the mask of the Josephine we thought we knew.” –Christy English, author of How to Tame a Willful Wife and To Be Queen

“Enchanting prose takes the reader on an unforgettable journey . . . Captivating young Rose springs from the lush beauty of her family’s sugar plantation in Martinique to shine in the eighteenth century elegance of Parisian salon society. When France is torn by revolution, not even the blood-bathed terror of imprisonment can break her spirit.” –Marci Jefferson, author of Girl on the Gold Coin (Thomas Dunne Books, 2014)
Buy Links

Amazon
Barnes & Noble
Indiebound



About the Author
Heather Webb grew up a military brat and naturally became obsessed with travel, culture, and languages. She put her degrees to good use teaching high school French for nearly a decade before turning to full time novel writing and freelance editing.

When not writing, Heather flexes her foodie skills or looks for excuses to head to the other side of the world.

For more information please visit Heather’s website. You can also find her on Facebook, Pinterest and Twitter.


Visit other blogs on the tour--Tour Schedule
Twitter Hashtag: #BecomingJosephineTour

October 09, 2012

{Book Tour} Guest Post from author, Juliet Grey


MARIE ANTOINETTE: DAMNED IF SHE DID AND DAMNED IF SHE DIDN’T!

I recently chimed in on one of the history threads on Facebook that asked who was the most maligned historical figure.  There were a lot of votes for Richard III; and perhaps the recent discovery of the bones beneath a British car park will reveal (if they indeed belong to Richard), that he was never hunchbacked or had a withered arm. And we do know that Shakespeare, a Tudor-era scribe, derived the, well, bare bones, of his character from other men on the Tudor payroll who never knew Richard; those like Holinshed and Thomas More.

But Richard brought his destiny upon himself. He DID usurp the throne and he did murder any adults he believed were standing in his way, even if you set aside the possibility that he had something to do with the death of his nephews.



I made the case for Marie Antoinette as history’s most maligned personage. From the moment she crossed the imaginary threshold between Austria and France on the Ile des Epis, she was considered by those in her adopted country as an outsider: the other. In fact, some members of the French royal family, as well as many courtiers who would soon be assigned to serve her, were against her marriage from the start. Austria had been France’s enemy for 950 years or so before the treaty that cemented their alliance. Ancient grudges were not so easily patched up by a union between a pair of teenagers.

Marie Antoinette had been urged by her mother, the formidable empress of Austria Maria Theresa, to use (in the empress’s view) her only asset—charm—to win over her future subjects. But not everyone was delighted by the young girl’s winsomeness, especially when Marie Antoinette chafed at the rigid court etiquette of the Bourbons or when she alienated the king’s mistress, the luscious Madame du Barry, because she was raised to detest such immorality. Poor Marie Antoinette was far too young, having come to France at the age of 14 (I tried to imagine my niece at that age being ready to rule a kingdom in a few years’ time!) too naïve, and too politically inept to see the larger picture. In the case of the comtesse du Barry, she got caught up in seeing the individual trees and missed the forest. Months passed while she refused to countenance the royal favorite on moral grounds, angering the king, while her mother desperately needed her to obtain his acquiescence for a much larger political gain: the partition of Poland. In the grand scheme of things, this was far more significant than an adulterous affair, but Marie Antoinette had been raised properly and couldn’t understand why her mother suddenly expected her to accept this liaison when she had always schooled her to despise adulterers.




Marie Antoinette was damned if she did and damned if she didn’t in other areas as well. During the 1770s when she dressed opulently, as befitting a queen, with the wildly fashionably coiffures known as “poufs,” she was condemned for her extravagance.  Yet in the early 1780s when she began to wear the understated white muslin gowns with pastel-hued sashes known as gaulles or chemises à la reine, accessorized with simple straw hats, she was derided for looking like she was only wearing her undergarments and dressing like a peasant. In both instances, she was accused of bankrupting the country, by instigating the women of France to follow her expensive fashion trends.

Of course, Marie Antoinette’s passion for fashion did not bankrupt the country. France was in dire economic straits long before her husband acceded to the throne. His predecessor, his grandfather Louis XV, plunged France into the red fighting the Seven Years War when Marie Antoinette was still a child in Austria. And during the reign of Louis XVI and Marie Antoinette, they pledged a tremendous amount of money to help the American colonists fight their own revolution against the English crown. Although it seemed against their own interests to bring down a monarchy, the aim was to weaken Britain, France’s greatest enemy. Add to that a series of bad harvests and terrible winters that led to rampant starvation.  Never mind acts of Nature: the people blamed Marie Antoinette for all their ills, thanks to the demagoguery of men like the king’s own cousin, the deep pocketed, and ambitious, duc d’Orleans. The duc fancied himself a progressive, and would eventually vote to execute Louis XVI, yet he would ultimately be sent to the guillotine himself. 



Marie Antoinette and Louis didn’t consummate their marriage for several years, for a number of reasons that scholars and historians have debated for centuries. Based on the historical record, I have my own theories, which I dramatize in DAYS OF SPLENDOR, DAYS OF SORROW, as well as in the first novel in the trilogy, BECOMING MARIE ANTOINETTE. But Marie Antoinette had come to France to bear an heir to the Bourbon throne, and without a son, she was useless to the French, rapidly becoming a waste of time and space. As the years flew by without the desired heir, rumors flew as well—that she was indulging in extramarital affairs with lovers of both sexes (the French couldn’t conceive of the possibility that she was unhappily celibate all that time). But the truth is that Marie Antoinette adored children and couldn’t wait to become a mother! Denied this for so long, with nowhere else to focus as she had no political clout, she poured her energy elsewhere: into the pursuit of pleasure—high stakes gambling, late night dances and masquerades, and a mania for fashion, interior design, and the outré three-foot-high hairstyles.  So she was blamed for not conceiving an heir, as though it was her “fault,” and becoming a queen of pleasure instead, as though she preferred these pursuits (and/or the extramarital lovers she never had at the time) to the joys of childbearing.



And when she sought refuge from her “toxic” detractors at le Petit Trianon, she was accused by the very same people of turning her rural idyll into an exclusive haven of rampant debauchery.

I wrote my Marie Antoinette trilogy to give her a voice, and to set the historical record straight, separating the truth from the centuries of  propaganda that have cast her as a tone-deaf, empty-headed spendthrift. While the books are historical fiction, they are heavily based on fact (there’s a bibliography at the back of each novel, in addition to an Author’s Note that explains where any liberties were taken with the historical record).

It’s high time that Marie Antoinette, miscast for more than two centuries as a villainess, steps into the sunlight as a heroine.



Juliet Grey is the author of Becoming Marie Antoinette. She has extensively researched European royalty and is a particular devotee of Marie Antoinette, as well as a classically trained professional actress with numerous portrayals of virgins, vixens, and villainesses to her credit. She and her husband divide their time between New York City and southern Vermont.  

Her new novel, Days of Splendor, Days of Sorrow, was released in May 2012 from Ballantine Books.

Juliet is currently on tour with Historical Fiction Virtual Book Tours.  Visit Michelle's stop at The True Book Addict on November 1 for a review and giveaway.

July 23, 2010

Book Review: Madame de Stael the First Modern Woman by Francine du Plessix Gray, from Jennygirl

Please welcome another review from Jennygirl of Jenny Loves to Read. She writes that this book was a biography of Madame de Stael who was an important figure in society during the French Revolution.

Madame de Stael: The First Modern Woman
Author: Francine du Plessix Gray
Publisher: Atlas & Co. (October 9, 2008)
Genre: Biography
Jennygirl's Rating: 4/5




"A writer of scintillating style and resonant substance," (Publishers Weekly), bestselling author Francine du Plessix Gray chronicles the incandescent life of the most celebrated woman of letters of the Revolutionary and Napoleonic era.


The daughter of the second most important man in France, Louis XVI's Minister of Finances, Jacques Necker, Madame de Staël was born into a world of political and intellectual prominence. Later, she married Sweden's ambassador to the French court, and for a span of twenty years, she held the limelight as a political figure and prolific writer. Despite a plain appearance, she was notoriously seductive and enjoyed whirlwind affairs with some of the most influential men of her time. She always attracted controversy, and was demonized by Napoleon for her forthrightness, the sheer power of her intellect, and the progressiveness of her salon, which was a hotbed for the expression of liberal ideals. The emperor exiled her, on and off, for the last fifteen years of her life.


Madame de Staël—force of nature, exuberant idealist, and ultimate
enthusiast—waged a lifelong struggle against all that was tyrannical, cynical,or passionless in her time, and left a legacy of enlightened liberalism that radiated throughout Europe during the nineteenth century.

Truth be told I picked this book up based on it's cover. Yes, I do judge books by their covers...sometimes. It is a biography, and I have never had any luck with these. This one however, was well written and to the point.

The author doesn't relate the entire early childhood. Just the parts necessary to the story, and her development as one of the greatest conversationalists of France. Madame de Stael had the most prominent salon in France. She entertained many prominent and important persons involved with the future of France, such as Tallyrand. de Stael was friends with those persons one needed to be friends with in the days of the revolution and the Terror. She also counted many royals and aristocrats among her friends. I guess you can say she straddled the political fence. de Stael was very involved in the politics of France, throughout her entire life actually, which includes the French Revolution to Napoleon's empire.

Madame de Stael's musings regarding the reasons behind the Terror, why and how it became so out of control, are very insightful. In my opinion, her arguments are logical and on point. Later, she goes toe to toe with Napoleon in her writings, and it's quite comical to read what he has to say about her.

I guess I was really taken with this book, because I had never heard of Madame de Stael, and apparently her writings were very influential during her tumultuous times. Is it because history is written by men, thus this great woman was left out? I haven't extensively studied the French Revolution or French history for that matter, however from what I read in this book, I can not believe I have never heard of de Stael before. Regardless of whether you agree with her tactics or views, it seems to me that de Stael truly loved her adopted France, and just wanted the best for her country and its people.

It should be noted, that her personal life was a quite a mess. The time and effort she put into French politics, could have been better spent on her family. However, due to her upbringing and other factors, this probably never occurred to her.

Overall, this book was a quick and easy read; it didn't read like a biography to me. I found the book and it's subject matter very fascinating. I would highly recommend this book. Madame de Stael was a fascinating women before her time, and she deserves her place in history.

I think I see some historical research in my future, with respect to women in history and the French Revolution.

Reprinted with permission from Jennygirl of Jenny Loves to Read. If you would like to submit a review, please click this link for further information.

July 12, 2010

Q&A: For the King with Catherine Delors by Christy English


Still ongoing at this site is the Giveaway of For The King, enter here.
And now for an interview of the author of For the King, Catherine Delors, submitted by Christy English:


Years after our revolution, the French had one of their own…the lovely and knowledgeable Catherine Delors has written two novels that bring post-Revolutionary Paris to vivid life. First there was Mistress of the Revolution, and now we are lucky enough to have a chance to read Catherine's latest novel, For the King.


Catherine has been kind enough to answer some questions for us about her novel and her process in writing it…


1. Catherine, thank you so much for being here today. Your first novel, Mistress of the Revolution, was set a few years before the events of your latest book, For the King. Is there any one thing that draws you back to this period of time again and again?

 While researching writing Mistress of the Revolution, I realized how important and relevant for us the French Revolution has remained, how many of the issues raised then are still current. I became familiar with the political moods, the ways of thinking of the times… And now I don't want to leave the late 18th century!




2. Your fabulous new novel literally begins with a bang. Before the explosion meant to murder Napoleon rocks Paris, you spend the first chapter introducing us to the people who are soon to die. The portraits of these people, so beautifully yet unsentimentally drawn, captured my mind and touched my heart. What was it like to write about the deaths of so many innocents?

Thanks for saying this, Christy, because those deaths, in their random cruelty, touched my heart as well. In the novel, the names, the occupations of the victims, their circumstances, are taken from real people. I was moved in particular by the story of Captain Platel and his landlady. Ordinary people, returning home from a Christmas Eve celebration with friends. It was important for me to remember the victims. History is as much about regular Parisians as Napoléon.

3. Your protagonist, Roch Miquel, is the quintessential outsider. Did you choose to emphasize his place outside the Parisian power structure by making him a man from the Auvergne? Did you have other reasons also for choosing the Auvergne as his home province?

 Oh, yes, there is an excellent reason: my father's family is from Auvergne, and I have a very strong connection to that remote and hauntingly beautiful province. Also in the late 18th century, and still much later, many in the Paris underclass came from Auvergne. They were despised, foreign-looking and foreign-sounding, generally despised, much like migrant workers nowadays. I wanted to pay homage to them, to their struggles, and hard-won successes.


4. I was struck by the beautifully written historical detail in your narrative. Reading For the King was like being set down in the center of post-Revolutionary Paris. The sights, the sounds, even the smells were vivid for me. How many years did it take you to research this novel? What were your methods?

 Thank you! There is simply no substitute for 18th century sources. Louis-Sébastien Mercier's Le Tableau de Paris and Le Nouveau Paris are irreplaceable. Also, Nicolas-Edme Restif de la Bretonne provides a wealth of details in his 400 (yes, 400 or so!) novels. I also read and reread the works of a modern French historian, Arlette Farge, which are based on police reports. Those provide a candid, direct glimpse at the everyday lives of the poorest in Paris.
5. The title, For the King, comes to mean more and more to the reader as the story goes on. How did you come up with the title? At any point in your work, did you think to call this book by another name?

 Many other names! I probably forgot a few, but some I liked very much. I thought of Nivose, the month of the Revolutionary calendar during which the attack took place. To me the name, inspired by the snows of winter, is very evocative. Probably less so to many American readers, though… Also I liked Painters and Assassins. As I followed the records of the investigation, I was struck by how many painters cropped up in the real story. And finally I settled with my editor on For the King. I find that coming up with the title is always the hardest part of writing a novel.

6. Each character in your novel lives and breathes, even if they are only in sight for a page or two. These characters, so well drawn, add deeply to the richness of the setting of the city of Paris itself. Did these people live in your mind as vividly as they live on the page?

They do! Some, like Pépin the street urchin, are purely fictional. Others are directly inspired by their depositions, taken by the police after the attack, and preserved in the French archives. Police depositions may sound like dry, uninspiring material. Far from it, in fact. As I read on, I could listen to the witnesses' voices, watch their facial expressions. This is particularly true of the deposition of Short Francis, with its mix of cunning and naivete.


7. Your novel begins with this quote from Napoleon: "From triumph to downfall, there is but one step. I have noted that, in the most momentous occasions, mere nothings have always decided the outcome of the greatest events."
For the King is populated by the "mere nothings," from Napoleon's quote. More than anything besides Roch Miquel's brains and courage, these "mere nothings" determine the events of the novel. Am I right in assuming that these smaller characters fascinated you as much as Roch Miquel himself?

 Quite right. So-called secondary characters deserve no less of the writer's attention than the protagonists. They are the ones who give depth and complexity to a novel. And, from a purely selfish standpoint, often they are more fun to write too.

8. In your heart, are you a Royalist, a Jacobin, or a follower of Napoleon? Or perhaps some combination of all three?

 None of the above. A reader of Mistress of the Revolution wrote me that she liked the novel because I didn't demonize anyone. I hope I managed the same here. I can sympathize with the followers of Louis XVIII, Robespierre and Napoléon alike. To me even the assassins are human.


9. For the King transported me to another time and place. What are you working on now? What is your next novel about, and when can we get our hands on it?


I am writing a prequel to Mistress of the Revolution, which focuses on the character of Hélène de Montserrat, Gabrielle's elder sister. It is a thriller in the 18th century Gothic manner. The prequel is going slowly, though, because at the same time I am researching Jane Austen's French connections for a fourth novel. As you see, I remain firmly grounded in my beloved 18th century!


Thank you so much for taking the time to be here with us, Catherine. I look forward to your next novel. Please visit Catherine at her website home, http://catherinedelors.com/
or her wonderful blog, http://versaillesandmore.com/

For everyone who still needs to get their hands on For the King, please hit the link below…
To Order from Amazon:
http://www.amazon.com/King-Catherine-Delors/dp/0525951741/ref=sr_1_1?ie=UTF8&s=books&qid=1278440333&sr=1-1

To Order from B&N:
http://search.barnesandnoble.com/For-the-King/Catherine-Delors/e/9780525951742/?itm=1&USRI=catherine+delors

To Order from Indie Bound:
http://www.indiebound.org/book/9780525951742

 Reprinted with Permission from author Christy English. Visit Christy's site at http://www.christyenglish.com/

July 08, 2010

GIVEAWAY! Today's New Release: FOR THE KING by Catherine Delors

Most of you know of the Historical Fiction Bloggers Round Table site. They have already featured the author Catherine Delors with interviews and guest posts and reviews, and one of them is reprinted below.


To celebrate Catherine's release day, HF-Connection is hosting a giveaway of this beautiful hardcover book! Interested? Read the review and see for yourself, and see the rules for the giveaway at the end of the post.

For the King by Catherine Delors
July 8th 2010 by Dutton Books
Amazon USA
Hardcover, 352 pages
isbn 9780525951742
The Reign of Terror has ended six years earlier, and Napoléon Bonaparte has seized power, but shifting political loyalties still tear apart families and lovers.

On Christmas Eve 1800, a bomb explores along Bonaparte’s route, narrowly missing him but striking dozens of bystanders. Chief Inspector Roch Miquel, a young policeman with a bright future and a beautiful mistress, must arrest the assassins before they attack again. Complicating Miquel’s investigation are the maneuverings of his superior, the redoubtable Fouché, the indiscretions of his own father, a former Jacobin, and two intriguing women.

For The King takes readers through the dark alleys and glittering salons of post-revolutionary Paris. It is a romantic thriller, a tale of love, betrayal and redemption.

I am not as historically in tune to French politics as I am with Tudor politics. With Catherine Delors' newest novel that is focused on French politics, there is no preamble to the upheaval that France is facing after the pacification set in place by Bonaparte. The French Revolution had just ended and the novel begins in 1800 with a police officer called Roch Miguel who is investigating a bombing on the streets of  Paris that was a failed assassination attempt on Napoleon Bonaparte. There were several police agencies or ministries that were at odds with each other who were slightly hard to follow; along with who was Royalist, Jacobin or Chouan. If I had previously read a novel that dealt with the Republic and the aftermath of the French revolution I would probably have felt a bit less lost, but the writing of Catherine Delors pulled me through the story itself very quickly.

Written to be a historical mystery, the focus of the story is the investigation of the bombing in the Rue Nicaise. Roch, the investigator, is the main protagonist and is portrayed as a strong man with morals, and gets put in a bad situation when his father, affectionately known as Old Miguel, is suddenly arrested. Was he arrested to spur Roch's investigation in another direction? Between the several different factions of the police government it is hard to tell if Roch should trust anyone in the fearsome political times. And he has to move fast otherwise his father will meet a torturous fate meant for traitors.
Napoleon crossing the Alps (1800)~Jaques Louis David
One of the mentions in the novel is of a painter known as Jaques Louis David, who painted the famous portrait of Napoleon on the magnificent white horse. I loved how Delors included these small details of history into her novel which helped me experience France and their culture more than I ever have. And I took five years of French! Catherine Delors helped to reawaken in me the spirit of France for which I had fallen in love with long ago as a child. She surrounds the novel in historic details that really help shape the atmosphere and the turmoil of France at that time.

Catherine Delors' previous novel, Mistress of the Revolution (2008), was written in memoir fashion telling of a Frenchwoman exiled in England. This new novel departs from that point of view as it is told in third person allowing for multiple views to be presented. Using this narrative allows the reader to get an entire circumspective view from all parties involved which is very helpful in this thriller/mystery setting. It also helps to lend a greater understanding of a complicated period of time that could easily befuddle the unaware reader, like I was at first.

I found the story to be fast paced and I felt empathy for the character of the investigator Roch Miguel, and Delors was subtle with the added romantic undercurrents that we are treated to. Some of the other characters shifted over time, becoming more ominous as the story wore on and the mystery of who was behind the attack unfolded. Although the reader knows the names of the three who are responsible for the attack from the very beginning, the unfolding of the multiple aspects that lead to the attack and their hopeful apprehension was expertly presented. Lovers of France and those eager to immerse themselves in its historic setting following the revolution will definitely love this book. I love the fact that Delors is focusing her next novel on another mystery setting and I will definitely be reading that one as well.

Reprinted with permission from The Burton Review.

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