May 05, 2015

Charles Gibson's Taking the Cross - Guest Post


The Roots of the Inquisition

When Pope Innocent III called for the Crusade against heresy in March, 1208, he could not have known the full force of what he was unleashing. Known as the Albigensian Crusade, this endeavor, proclaimed because of the death of a papal legate in the Languedoc region of France, led to the deaths of tens of thousands over the next twenty years, devastating one of the most wealthy and free regions of Europe in the early 13th century. 

It also led to the Inquisition. Contrary to what you might think, the Inquisition started in France in the 13th century, not centuries later in Spain.

My historical novel, Taking the Cross, is set during the opening summer of the Albigensian Crusade, in 1209. The main male character, Andreas, is lead knight to Raimon Roger Trencavel, the Viscount of Carcassonne, Albi, and Beziers. The Viscount, a historical figure, was the main target of the Crusade. Thus Andreas ends up fighting against a Crusade.

Charles Gibson in front of the Tower of the Heretics in Carcassonne, France.
Heretics were hanged inside from the crossbeams of the tower in the 13th century.

Yet the efforts of the Catholic Church to purge the Languedoc of heresy were not warlike at their inception. In the year 1203, Dominic of Osma appeared before Pope Innocent III asking to make pilgrimage to the Holy Land in order to proselytize Muslims. Innocent, more vexed over the spread of heresies throughout Christendom, and in the Languedoc in particular, had a different idea. His charge to the idealistic canon from Spain was that Dominic make journey to Southern France and preach to the Albigensian sect, known also as the Cathars.

The word Cathar comes from the Greek root word katharsos, which means “pure”. It is also the root of the English word catharsis, which means purification or cleansing. The Cathars believed in purifying themselves from this evil world. They took that quite literally and believed that all matter had been created by the devil and was therefore evil, including the wafers and wine of the Eucharist (or communion), and even one’s own body. They believed that Christ came in spirit form only and thus was neither born of a virgin nor executed upon a cross.

Such decidedly unorthodox views put them at odds with the Roman Catholic Church. Since it was believed in Medieval times that the survival of society depended on that society being likeminded, dissent could not be tolerated. This was true not only in religious belief but also in the practice of one’s beliefs.

This is seen very clearly in the case of the other group targeted by the Albigensian Crusade, the Waldensians. The followers of Peter Waldo from the city of Lyon, France, were targeted primarily because they wanted to practice their faith in a way deemed unacceptable by Rome. They wished to preach in public in the common tongue and also to translate the Bible into the common tongue so that all could have access to the Scriptures. What little preaching there was at this time was in Latin and nearly all Bibles were in Latin as well. The message from Rome was clear: You must not only believe as we do, but act as we do.

At first the beliefs of the Waldensians were little different than those of other Catholics, but over time they came to reject the use of relics, of infant baptism, of purgatory, and the supremacy of the pope. After repeated persecutions they eventually came to refer to the pope as “the whore of Babylon”.

Dominic was a countercultural figure in that he took a vow of poverty in contrast to the Catholic hierarchy of the day, who paraded around in opulence. Dominic traveled around the Languedoc barefoot and in the coarse tunic of a mendicant, humbly seeking alms wherever he went. In so doing he had more success than others, but that success was still limited. After five years journeying back and forth across the Languedoc, he had gleaned at most a few dozen converts.

Rome grew impatient with the lack of progress. The murder of papal legate Pierre de Castelnau in January, 1208, provided the perfect pretense to launch the Crusade that began in 1209. Dominic died in 1221, but the Crusade lasted until 1229. Dominic’s humble, peaceful means of proselytizing in the Languedoc died with him.

In 1231 the Inquisition began and was administered, ironically, by those in the Dominican order, the followers of the peaceful man who became known as St. Dominic. The tactics of the Inquisition became a basis for the modern police state. For example, those who concealed or gave aid to heretics in any way were forced to wear a yellow cross sewn into their garments. It gives reminder of the yellow Star of David that Jews were forced by the Nazis to wear during World War II.

Yet the Albigensian Crusade and the Inquisition that followed became a motivating force for religious freedom that eventually led to the Reformation. The Waldensians persisted through decades and centuries of terrible persecution and voted to join the Reformation in the year 1532.

But in July, 1209, as Taking the Cross opens and Viscount Raimon Roger Trencavel rides to meet the leaders of the Crusade to seek peace, all of that is an unknown.

About the book
In the Middle Ages not all Crusades were fought in the Holy Land.

A two-pronged threat to the Catholic Church was growing within Christendom itself and Pope Innocent III called for the Crusade against heresy to eliminate both the Albigenses and Valdenses, two movements that did not adhere to Church orthodoxy.

Andreas, a knight who longs to go on Crusade to the Holy Land, finds himself fighting against one in his French homeland. While Andreas wages war for the lives and religious freedom of his people, a battle rages within his soul.

Eva, a young woman of a new religious order, the Beguines, discovers a secret message within a letter about the death of her father in the Holy Land. As she learns more of her father, she is forced to confront the profound and perilous spiritual inheritance he has bequeathed to her. A legacy for which she must fight.

Hearing of the feats of Andreas, Eva senses her inheritance may lead her to him.

They both face an evil that threatens to consume them.

Filled with battles of the flesh and the spirit, Taking the Cross reveals a passionate aspect of Medieval times where some fought ardently for the freedom of others.

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May 01, 2015

Chris Karlsen's Silk - Guest Post and {Giveaway}


A Muse With A Historical Bent

My father taught history. The politics, culture, and people of different periods was a common topic in our house. When I decided to do what I'd secretly wanted to try for many years, write, my long quiet muse went in search of people and events to build a world around.

Not all periods and places interest me while others have a strong draw for me. I write a Knights in Time series where a part of the story is set in medieval England and occasionally France. The battle of Poitiers, a great English victory fought in 1356, is the common denominator for those characters. My latest release, Silk, a suspense/thriller, is set in Victorian England, London in particular.

I chose Victorian London for a couple of reasons. So much changed over that time period, developments in industry and the expansion of the British Empire are two examples. The period conjures up both romantic images perfect for Christmas cards and menacing images of dark allies and people living hard lives. You could turn a corner and run into a polished carriage pulled by a handsome team of horses, or, you could turn a corner and run into Jack the Ripper. I thought it the most atmospheric of cities for my killer and detective to challenge each other.

Another reason I chose this time period (1888) was for my protagonist's personal history and quality of character. Several years ago, I had the occasion to visit the South Wales Borderers regimental museum. I was interested in the Zulu wars of 1879 and in particular two battles fought by that regiment: Isandhlwana and Rorke's Drift. Eleven Victoria Crosses, the equivalent of our Medal of Honor, were awarded to the men who fought at Rorke's Drift. After speaking at great length with the volunteers at the museum who gave me a private tour, I knew if I ever wrote a book, one day I'd use a veteran of this battle as the protagonist.

In Silk, Detective Inspector Rudyard Bloodstone was ill with a serious fever when the hospital station at Rorke's Drift was attacked by thousands of Zulu warriors. He managed to rise and fight after saving the lives of several men unable to walk on their own. As a result, he was awarded a Victoria Cross for "Extreme valour in the face of the enemy." Rudyard (Ruddy) keeps the medal and the queen's declaration in his sock drawer. He doesn't consider himself a hero. To him, he was just a soldier doing what was necessary in battle.

I treat settings like characters. They are living, breathing things. They evoke emotions the way the men and women in the story do. They can be beautiful and make you want to stay in that moment and place. Or, they can frighten as cold fog wraps around the human characters and the dark holds danger. In the Knights in Time books, I loved recreating medieval England without the iconic trappings so familiar with today: Big Ben, double-decker buses, black cabs, and tourists gathered around Buckingham Palace. In Silk, I loved showing London through the eyes of the different classes. The multi—facets of the city. One oddity I discovered in my research was an "entertainment" enjoyed by the middle class. There's scene in Silk that takes place in an asylum. I learned for a time asylums made a profit by letting so called normal folk view the lunatics (a common term used at the time) for a penny a tour.

I try to recreate the place and time by walking through it mentally. Every sidewalk my protagonist goes down, every room he or she enters I note the details along with them. Since I can't time travel in reality, I can travel through time on the page.  

About the book       
Genre: Thriller
Author: Chris Karlsen
Website: www.chriskarlsen.com
Publisher: Books to Go Now
Purchase on Amazon

London-Fall, 1888

The city is in a panic as Jack the Ripper continues his murderous spree. While the Whitechapel police struggle to find him, Detective Inspector Rudyard Bloodstone and his partner are working feverishly to find their own serial killer. The British Museum's beautiful gardens have become a killing ground for young women strangled as they stroll through.

Their investigation has them brushing up against Viscount Everhard, a powerful member of the House of Lords, and a friend to Queen Victoria. When the circumstantial evidence points to him as a suspect, Rudyard must deal with the political blowback, and knows if they are going to go after the viscount, they'd better be right and have proof.

As the body count grows and the public clamor for the detectives to do more, inter-department rivalries complicate the already difficult case.


About the author
Chris is a Chicago native. Her family moved to Los Angeles when she was in her late teens where she later studied at UCLA. She graduated with a Business Degree. Her father was a history professor and her mother a voracious reader. She grew up with a love of history and books.

Her parents were also passionate about traveling and passed their passion onto Chris. Once bitten with the travel bug, Chris spent most of her adult life visiting the places she'd read about and that fascinated her. She's had the good fortune to travel Europe extensively, the Near East, and North Africa, in addition to most of the United States.

After college, Chris spent the next twenty-five years in law enforcement with two agencies. Harboring a strong desire to write since her teens, upon retiring from police work, Chris decided to pursue her writing career. She currently writes three different series. Her historical romance series is called, Knights in Time. Her romantic thriller series is Dangerous Waters, and he latest book, Silk, is book one in her mystery/suspense series, The Bloodstone series.

She currently lives in the Pacific Northwest with her husband and five wild and crazy rescue dogs.

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Giveaway
Enter to win a Silk prize pack (via the Gleam form below) as follows:
One winner will be awarded:
a copy (print or kindle) of Silk
a swag bag
a $10 Amazon gift card
a Kindle copy of Knights in Time (the author's boxed set of historical romances)


* Giveaway is open internationally.
* Giveaway ends at 11:59pm on May 8th.
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* All giveaway entrants agree to be honest and not cheat the system; suspicions of fraud will be decided upon by blog/site owner and the sponsor. Disqualified entrants are decided at our discretion.
* Winners will be chosen via GLEAM on or around May 9th and notified via email. Winners have 48 hours to claim prize or new winner is chosen.
* Please email Michelle @ hfconnection@yahoo.com with any questions.

Silk

April 27, 2015

Roy T. Humphreys' Patrick's Journey - Guest Post


Patrick’s Journey is an historical fiction novel that is based on the real life history of my great grandfather (6 times removed). I first heard about his story at a family reunion many years ago and was captivated by the dramatic changes he experienced during his life’s journey (hence the title).

This was a story just waiting to be told, one of those where fact can seem stranger than fiction. However, I was constantly wondering about what his emotional journey must have been like. Nobody could have experienced the quantum shifts in circumstances that he did without having an equivalent "journey" of emotions. There had already been a number of historical articles published about him and so I decided I would deviate from the traditional approach and publish something that encompassed his emotional journey as well. Historical fiction was the obvious answer and so on retirement I embarked on a project that was to last the best part of eighteen months.

I soon found there was ample incidental history published about the times in which he lived. For example, there are numerous documents covering the United Irishmen and their struggle for independence. While Patrick's conviction papers refer to a civil matter (theft) there was an endorsement on one court document describing him as an "Irish Rebel". It wasn't hard to conjure circumstances that interwove a United Irishmen connection to his arrest and trial and tie that back to our family folklore which insists his punishment was a British Military "get square" for a dispute involving the family cow.

Similarly, there is considerable information published about the convict ship Boddington on which he was transported to Australia. In some ways Patrick was a lucky man. The Boddington was one of the first ships to adopt new hygiene and humanitarian measures designed to curb the appalling death rate amongst convicts being transported to the penal colony of New South Wales. There is significant mention of an attempted mutiny on the Boddington. However, while some papers name the would be mutineers, other publications claim the voyage was incident free. Mutiny or not, the prospect was too tempting for this author not to include the concept in the story and tie it in to Patrick's change of fortune following the serving of his sentence.

Many of the characters in the story are based on real people who lived their lives in Patrick's world. Others, such are the prime villain of the story, are purely figments of my imagination but hopefully they add entertainment without detracting from the historical content of the tale. There is an epilogue at the end of the book which provides details of the true history behind the story and of the characters which appear in it.

My hope is to entertain readers while at the same time keep the memory of my ancestor alive.

About the book
Patrick Rourke is a 17 year old Irishman in the year of 1790. Like many young men he is patriotic, adventurous and headstrong. He also feels assured of a bright future with his sweetheart Catherine. Patrick’s world comes crashing down around him when he becomes a pawn in the political aspirations of the United Irishmen under Wolfe Tone. He finds himself in prison sentenced to transportation to the penal colony of New South Wales and begins a downward spiral into rage and depression.

Patrick’s saviour comes in the form of Father Michael O’Court, the chaplain of the prison ship Boddington. Over time Patrick is guided out of his depression and is able to accept the vastly different directions that his life’s journey has taken. He also finds an unlikely mentor in one Preston Balfour, a British Army officer who was originally his target for assassination, but who ultimately provides him with the means of restoring his life in a new land. 

Patrick’s life is complete when tragic circumstances eventually lead to him being reunited with Catherine for a new life in a new land. He comes to realise that the most important journey we travel is not measured in miles but by our changes within. 

Patrick’s Journey is a work of fiction, but is based on the real life history of the author’s great (6 times removed) grandfather. 

Authors Note: 
Patrick’s Journey is a work of fiction and should only be viewed as such. However, it’s inspiration comes from the history of my great-grandfather (six times removed) about who we know the following: 

Patrick Humphreys was born in Wicklow County, Ireland in 1774. He was tried in 1791 in Dublin, found guilty of stealing and sentenced to 7yrs transportation to Australia. 

Family folklore maintains that Patrick was arrested on a “trumped-up” charge as a result of a clash between him and the local British Redcoats over a dispute involving the family cow. 

Prior to his arrest Patrick was “keeping company” with Catherine Mooney but their teenage romance was torn apart when he was sent overseas. Catherine eventually married another local lad, Terrence McMahon who took a position as a convict ship guard and ended up travelling to Australia with Catherine in 1800. Here they were reunited with Patrick who had completed his sentence and joined the NSW Corps. Terrence tragically drowned in Sydney harbour in 1801. Patrick and Catherine were married in Sydney on 28th February 1802 and lived long and fruitful lives raising a large family and establishing significant land holdings at Watsons Bay and Kincumber.

Click on image to view a larger version

Positive review at Historical Novel Society
Buy the book on Amazon


About the author
Roy Humphreys is retired (from paid work) and lives with wife Denise and daughter Rachael in the southern suburbs of Sydney, NSW, Australia.

His primary focus is now his family (four children, 8 grandchildren). He also finds time for running (cross country in the Royal National Park area), fishing and, sometimes, writing.

Patrick's Journey is based on the real life story of his great grandfather, 6 generations back, that he heard about at a family reunion many years ago. It was a story that he felt needed telling, but never had the time until retirement came in 2012.

April 25, 2015

Spotlight on Anna Belfrage's To Catch a Falling Star


Publication Date: March 1, 2015
SilverWood Books
Formats: eBook, Paperback
Series: Book Eight, The Graham Saga
Genre: Historical Fiction/Time-Slip


To Catch a Falling Star is the eighth book in Anna Belfrage’s series featuring time traveller Alexandra Lind and her seventeenth century husband, Matthew Graham.

Some gifts are double-edged swords …
For Matthew Graham, being given the gift of his former Scottish manor is a dream come true. For his wife, Alex, this gift will force her to undertake a perilous sea journey, leaving most of their extensive family in the Colony of Maryland. Alex is torn apart by this, but staying behind while her husband travels to Scotland is no option.
Scotland in 1688 is a divided country, torn between the papist Stuart king and the foreign but Protestant William of Orange. In the Lowlands, popular opinion is with Dutch William, and Matthew’s reluctance to openly support him does not endear him to his former friends and neighbours.
While Matthew struggles to come to terms with the fact that Scotland of 1688 bears little resemblance to his lovingly conserved memories, Alex is forced to confront unresolved issues from her past, including her overly curious brother-in-law, Luke Graham. And then there’s the further complication of the dashing, flamboyant 

Viscount Dundee, a man who knocks Alex completely off her feet.
All the turmoil that accompanies their return to Scotland pales into insignificance when a letter arrives, detailing the calamities threatening their youngest daughter in Maryland – at the hand of that most obnoxious minister, Richard Campbell. Matthew and Alex have no choice but to hasten back, no matter the heartache this causes.
Will they make it back in time? And what will Richard Campbell do?

Buy To Catch a Falling Star
Amazon
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Graham Saga Titles
Book One: A Rip in the Veil
Book Two: Like Chaff in the Wind
Book Three: The Prodigal Son
Book Four: A Newfound Land
Book Five: Serpents in the Garden
Book Six: Revenge & Retribution
Book Seven: Whither Thou Goest
Book Eight: To Catch a Falling Star


About the Author
I was raised abroad, on a pungent mix of Latin American culture, English history and Swedish traditions. As a result I’m multilingual and most of my reading is historical – both non-fiction and fiction.

I was always going to be a writer – or a historian, preferably both. Instead I ended up with a degree in Business and Finance, with very little time to spare for my most favourite pursuit. Still, one does as one must, and in between juggling a challenging career I raised my four children on a potent combination of invented stories, historical debates and masses of good food and homemade cakes. They seem to thrive … 

Nowadays I spend most of my spare time at my writing desk. The children are half grown, the house is at times eerily silent and I slip away into my imaginary world, with my imaginary characters. Every now and then the one and only man in my life pops his head in to ensure I’m still there. I like that – just as I like how he makes me laugh so often I’ll probably live to well over a hundred.
I was always going to be a writer. Now I am – I have achieved my dream.

For more information, please visit Anna Belfrage’s website and blog. You can also find her on Facebook,Twitter, and Goodreads.


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April 23, 2015

Spotlight on David Morrell's Inspector of the Dead with Guest Post by Robert Morrison


Thomas De Quincey and the Afflictions of Childhood

Action and brilliant twists of plot are at the crux of David Morrell’s two historical thrillers, Murder as a Fine Art and Inspector of the Dead, both of which are set in 1850s London, and both of which feature assassins whose killing sprees are as ingenious as they are ruthless. What sets the two novels decisively apart from other Victorian murder mysteries, though, is the fictionalized presence of Thomas De Quincey (1785-1859), the notorious English author and opium addict.


Morrell seamlessly weaves details from De Quincey’s writings into the fabric of both novels, but he also exploits in full the circumstances of De Quincey’s remarkable life, as indeed De Quincey himself did in some of his finest essays. Born into prosperity, De Quincey exhausted his patrimony by the time he was 30 (primarily because he could not stop buying books), and spent much of the next forty years harried by debt and debt collectors. He read widely as a boy, and acquired a reputation as a brilliant classicist, especially in Greek. At 17 De Quincey bolted from Manchester Grammar School, and spent four harrowing months penniless and hungry on the streets of London. He entered Oxford University in 1803, but left five years later without taking his degree and moved to the English Lake District to be near his two literary idols, William Wordsworth and Samuel Taylor Coleridge. In 1813 De Quincey became dependent on opium, a drug he started experimenting with during his student days at Oxford, and over the next few years he sank deeper into debt and addiction, before launching himself as a professional writer.

It is, however, the close ties of his family life that most clearly fascinate Morrell. Death cast a terrible blight on De Quincey as a very young boy, and in many ways he never fully recovered. Before he was 8 he had lost his sister Jane, his father, and then another sister, Elizabeth, who was his dearest childhood friend, and whose sudden passing never ceased to haunt him. His portrait of Ann of Oxford Street, the young London prostitute he met as a teenage runaway, and his overwhelming sorrow at the death in 1812 of Wordsworth’s three-year-old daughter Catherine, are clearly shaped by his grief over Elizabeth’s death, as is Suspiria de Profundis (“Sighs from the Depths”), De Quincey’s great 1845 sequel to his Confessions.


In Murder as a Fine Art, Morrell memorably conjures the anguish of these losses in the scene where De Quincey enters Vauxhaul Gardens, and sickly prostitutes hired by the killer call out to him with names that bring his deepest griefs surging back to the surface: “I’m Ann!” one of the women yells. “No, I’m Ann!” cries another. “I’m Jane!” bawls a third. Then more voices and other deaths: “Elizabeth!” “Catherine!” “Love us, Thomas!” De Quincey sinks to his knees, unable to endure the memory of so much sorrow, and horrified to think that the assassin knows so well how to wound him.

Morrell is equally interested in De Quincey as a father. In 1806, as he wandered through the Lake District, the 21-year-old De Quincey made a manuscript list of twelve “Constituents of Happiness,” one of which was the “education of a child.” But by 1816, when he became a father for the first time, his life was already spiralling out of control, and in the years that followed he was often unable to provide for his wife Margaret and a family that grew ultimately to eight children. Perhaps most devastatingly, in 1834, as his teenage son William lay writhing in the grip of leukaemia, De Quincey listened as his son told the doctor of his physical pain, but also of his mental anguish, for the boy’s mind was full of “family distresses” – the fear, and penury, and despair that had surrounded him for his entire life. When William died, De Quincey’s grief – and guilt – were intense.

De Quincey’s youngest daughter Emily was twenty-one months old at William’s death, and while she never really knew him, she grew up like him in chaos – running from bill collectors, sneaking through back streets to deliver her father’s manuscripts to publishers, and watching helplessly as his drug addiction drove him down to rock-bottom. Yet by the 1840s the family’s finances had started to stabilize, thanks to the caution and courage of Emily and her two older sisters Margaret and Florence, all three of whom were devoted to De Quincey, but acutely aware of his failings. “I think no one will make much out of my father who does not take in the extreme mixture of childish folly joined to a great intellect,” Emily once declared.


In Inspector of the Dead, De Quincey’s relationship with Emily is center stage, and Morrell crafts marvellous exchanges between the two, as he plumbs the workings of their relationship, and demonstrates the ways in which Emily has been both constrained and liberated by her father. Yet perhaps the most moving moment in the novel comes when the two discuss – not the present or the future – but the traumas of the past, and De Quincey confesses his guilt. “In many ways, you are the parent, and I am the child,” he tells Emily. “I only wish that I had watched over you with as much devotion. I’m deeply sorry.” In such moments, Morrell brings De Quincey vividly before us, as a man who moved many to deep affection, despite courting the disasters that so often overtook him.

Morrell’s masterful handing of characterization and pace – his ability to combine heart-pounding action with forceful moments of pathos and emotional insight – are what distinguish both Murder and Inspector. De Quincey’s writings on drugs and violence are key to the process, but no less important are those incidents from his private life that both shattered and inspired him.

About the book
Publication Date: March 24, 2015
Mulholland Books
Hardcover; 342p
ISBN: 9780316323932
Genre: Historical Mystery

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David Morrell’s MURDER AS A FINE ART was a publishing event. Acclaimed by critics, it made readers feel that they were actually on the fogbound streets of Victorian London. Now the harrowing journey continues in INSPECTOR OF THE DEAD.

Thomas De Quincey, infamous for his Confessions of an Opium-Eater,confronts London’s harrowing streets to thwart the assassination of Queen Victoria.

The year is 1855. The Crimean War is raging. The incompetence of British commanders causes the fall of the English government. The Empire teeters.

Amid this crisis comes opium-eater Thomas De Quincey, one of the most notorious and brilliant personalities of Victorian England. Along with his irrepressible daughter, Emily, and their Scotland Yard companions, Ryan and Becker, De Quincey finds himself confronted by an adversary who threatens the heart of the nation.

This killer targets members of the upper echelons of British society, leaving with each corpse the name of someone who previously attempted to kill Queen Victoria. The evidence indicates that the ultimate victim will be Victoria herself. As De Quincey and Emily race to protect the queen, they uncover long-buried secrets and the heartbreaking past of a man whose lust for revenge has destroyed his soul.

Brilliantly merging historical fact with fiction, Inspector of the Dead is based on actual attempts to assassinate Queen Victoria.

Praise for Inspector of the Dead
“Riveting! I literally thought I was in 1855 London. With this mesmerizing series, David Morrell doesn’t just delve into the world of Victorian England—he delves into the heart of evil, pitting one man’s opium-skewed brilliance against a society where appearances are everything, and the most vicious killers lurk closer than anyone thinks.” —Lisa Gardner, New York Times bestselling author of Crash & Burn and The Perfect Husband

What the Victorian Experts Say:

“Even better than Murder as a Fine Art. A truly atmospheric and dynamic thriller. I was fascinated by how Morrell seamlessly blended elements from Thomas De Quincey’s life and work. The solution is a complete surprise.” —Grevel Lindop, The Opium-Eater: A Life of Thomas De Quincey

“The scope is remarkable. Florence Nightingale, the Crimean War, regicide, the railways, opium, the violence and despair of the London rookeries, medical and scientific innovations, arsenic in the food and clothing—all this makes the Victorian world vivid. The way Morrell depicts Thomas De Quincey places him in front of us, living and breathing. But his daughter Emily is in many ways the real star of the book.” —Robert Morrison, The English Opium-Eater: A Biography of Thomas De Quincey

“I absolutely raced through it and couldn’t bear to put it down. I particularly liked how the very horrible crimes are contrasted with the developing, fascinating relationship between Thomas De Quincey and his daughter, Emily, who come across as extremely real. It was altogether a pleasure.” —Judith Flanders, The Invention of Murder: How the Victorians Reveled in Death and Detection and Created Modern Crime


About the Author
David Morrell is an Edgar, Nero, Anthony, and Macavity nominee as well as a recipient of the prestigious career-achievement Thriller Master away from the International Thriller Writers. His numerous New York Times bestsellers include the classic espionage novel. The Brotherhood of the Rose, the basis for the only television mini-series to be broadcast after a Super Bowl. A former literature professor at the University of Iowa, Morrell has a PhD from Pennsylvania State University. His latest novel is INSPECTOR OF THE DEAD, a sequel to his highly acclaimed Victorian mystery/thriller, Murder as a Fine Art, which Publishers Weekly called ”one of the top ten mystery/thrillers of 2013.”

For more information visit David Morrell’s website. You can also connect with him on Facebook and Twitter.


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