September 26, 2013

Guest Post: Mingmei Yip's The Nine Fold Heaven


On Love – it must last until death
“If you ask me what is love, I believe it must last till death.” This is by the Chinese poet Yuan Haowen (1190-1257).

One day when Yuan was on his trip to take the imperial examination, he saw a hunter shooting at a pair of geese. One fell to the ground and died, the other one, instead of flying away, landed next to its partner, crying and hitting its head on the ground till it also bled to death. Deeply moved by the love suicide, Yuan wrote the above line which is known to many millions of Chinese. He also buried the two geese together and their grave became the famous “Geese Grave.”

Another line with a similar sentiment is from the three thousand year old Book of Poetry: “I’ll hold your hand and grow old with you.”

Yet another poem says, “In life, if our love is always like the first time we met, there will be no lover abandoned like an Autumn fan.” At the beginning love is sweet and passion deep. However, love that cannot stand the trial of time is only shallow infatuation. That is why the poem next says, “When in an instant love is gone, we just blame fickleness of the heart!”

In my new novel The Nine Fold Heaven, I tried to portray undying love, both between man and woman and between mother and child. Camilla, a spy assigned to assassinate a powerful gangster head – disastrously falls in love with her target’s son. Though she is told that their baby was stillborn, he appears in her dreams and she vows to find him, even though it means “going inside the tiger’s mouth.”

Excerpt:

That night I flip-flopped in the hotel bed, thinking of the strange workings of fate. Then as if on cue, my little Jinjin came into my dream.

“Mama, I’ve been doing vey well, so don’t you worry about me.”

“Son, what have you been doing?”

“Eating, sleeping, playing, and learning.”

“What have you learnt?’

“Some words.”

“Can you tell me what they are?”

“Love and karma. Mama, I am not sure you know what love means, but probably you know what karma is. I know what love means, because when I think of you and Baba I feel warmth in my heart. So, can you tell me about karma?”

I didn’t want to answer his question, but I also didn’t want him to be unhappy.

“Jinjin, karma is because we all do good and bad things.”

“But Mama, I hear you only do bad things.”

“Where do you hear this?”

“You know, what you read in the newspapers.”

“It’s not all true. Maybe before, but not anymore. I miss you and your father terribly. Recently I also saved your Uncle Gao’s life.... Jinjin, I hear you’re still alive so stop teasing your mother! I can’t take this anymore!”

My baby retorted. “Sometimes I can’t take you anymore!”

“Jinjin, stop it!”

“Mama, you stop it! Or, I won’t come back to see you in your dreams anymore. And I’ll stay with Mama Lewinsky!” Then his voice softened. “Remember Mama, I’m your son, whether in hell, heaven, or the Red Dust.”

And with this, he vanished.

About THE NINE FOLD HEAVEN
Publication Date: June 25, 2013
Kensington Publishing
Paperback; 320p
ISBN-10: 0758273541

In this mesmerizing new novel, Mingmei Yip draw readers deeper into the exotic world of 1930s Shanghai first explored in Skeleton Women, and into the lives of the unforgettable Camilla, Shadow, and Rainbow Chang.

When Shadow, a gifted, ambitious magician, competed with the beautiful singer spy Camilla for the affections of organized crime leader Master Lung, she almost lost everything. Hiding out in Hong Kong, performing in a run-down circus, Shadow has no idea that Camilla, too, is on the run with her lover, Jinying – Lung’s son.

Yet while Camilla and Shadow were once enemies, now their only hope of freedom lies in joining forces to eliminate the ruthless gangster Big Brother Wang. Despite the danger, Shadow, Camilla, and Jinying return to Shanghai. Camilla also has her own secret agenda – she has heard a rumor that her baby son is alive. And in a city teeming with spies and rivals – including the vengeful gossip columnist Rainbow Chang – each battles for a future in a country on the verge of monumental change.

Book Trailer: http://www.youtube.com/watch?v=F2g6Ggga4a0

Praise for The Nine Fold Heaven

A guilty pleasure....enjoy the exotic location and characters.... This is a large, luscious box of chocolates. Go on. You know you want to." -RTBook 4 star Review, June 2012

Entertaining diversion is (a strength of this book) -Publisher's Weekly

Poignant and often heartbreaking story captivatin mix of worldly and ethereal, mystery and drama kept me interested and kept me reading with her journal cum memoir style that few authors pull off. I loved how she incorporated in her narrative Chinese customs, legends, myths and beliefs and especially how she quoted from long ago texts on war and strategies, it was her characters that dominated the pages. -Bookclub.BarnesandNoble.com, June 1, 2012

What a phenomenal novel!! The characters are well-developed and the storyline is amazing and reads fast. So much is going on you won't be able to put the book down and you'll be turning the last page before you know it. I would highly recommend this novel to anyone. Great job Mingmei!!! -Bookbag Lady, June 13, 2012

Buy Links

Amazon
Barnes & Noble
Books-a-Million
IndieBound 
Kensington


About the Author

When she was a child, Mingmei Yip made up stories like “how the moon reached to slap the sun” and “how the dim sum on my plate suddenly got up to tango.” At fifteen, she was thrilled that not only her article got published but she was paid ten dollars for it. Now Mingmei is a best selling novelist and children’s book writer and illustrator.

Mingmei believes that one should, besides being entertained, also get something out of reading a novel. She has now twelve books to her credit, including five novels by Kensington Books: The Nine Fold Heaven, Skeleton Women, Song of the Silk Road, Petals from the Sky, and Peach Blossom Pavilion. Book Examiner praises her novels as “A unique and enthralling style…flawless.” Her two children’s books are Chinese Children’s Favorite Stories and Grandma Panda’s China Storybook, both by Tuttle Publishing.

Mingmei is accomplished in many other fields. A professional player of the Guqin, Chinese zither, for over thirty years, she was recently invited by Carnegie Hall to perform in “A Festival celebrating Chinese Culture” in the same program with cellist Yo Yo Ma and pianist Lang Lang. She had her solo Goddess exhibition at the New York Open Center Gallery to great acclaim, gave calligraphy workshop at New York’s Metropolitain Museum of Art, and Taichi at the International Women’s Writing Guild.

For more information please visit Mingmei’s website. You can also follow her on Facebook, Twitter,Goodreads and Amazon.


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September 17, 2013

Guest Post: Susan McDuffie's The Study of Murder


Please welcome Susan McDuffie as part of the virtual tour for her novel, The Study of Murder.

The Voynich Manuscript and the Study of Murder

In 1912 Wilfred Voynich purchased an unusual quarto, bringing an enigma to light that has confounded experts for the last 100 years, and inspired my latest mystery, THE STUDY OF MURDER.

The Voynich Manuscript, residing in Yale University’s Beinecke Library, consists of several sections; one a sort of herbal, another filled with strange cosmological drawings, a third, filled with strange drawings of nude nymphs frolicking in vaguely botanical vessels. The text, written in cypher, has baffled numerous cryptographers, including noted World War II code-breakers.

Theories about the strange manuscript range widely. Original speculation attributed it to Roger Bacon, the “Doctor Mirabilis” of 1200s Oxford. Others believe it an Elizabethan fake, perhaps the work of John Dee. The manuscript surfaced at the court of Emperor Rudolf II of Bohemia in the 1580s and was purchased by Voynich from a Jesuit college in Italy. A recent article in the New Yorker discussed new findings: the encrypted words vary section to section, as would be expected if the sections referred to different topics. But no one to date has cracked the code; the Voynich remains unread.

This tantalizing manuscript lies at the heart of THE STUDY OF MURDER, the third Muirteach MacPhee mystery. In 1374 Muirteach and his wife Mariota travel to Oxford, chaperoning the Lord of the Isles’ thirteen-year-old son Donald. Donald shows more interest in playing the lute and drinking than study, but some mysterious parchments intrigue him. An Oxford master is murdered, a beautiful tavern maid disappears, and Muirteach tracks an elusive and wily killer through a twisted labyrinth of deceit.

I hope you’ll enter Muirteach’s world and enjoy his adventures. You can find out more about all three Muirteach MacPhee mysteries on my website www.SusanMcDuffie.net or at www.facebook.com/SusanMcDuffieAuthor

About the book
Publication Date: September 18, 2013
Five Star Publishing
Hardcover; 264p
ISBN-10: 1432827200

The Study of Murder pits Scottish sleuth Muirteach MacPhee against a mysterious adversary in the medieval town of Oxford in 1374.At the command of the Lord of the Isles, Muirteach and his wife Mariota accompany Donald, the lord's surly thirteen-year-old son, to Oxford where Donald is to enroll in university. Shortly after their arrival a winsome tavern maid disappears. At his charge's insistence, Muirteach attempts to help Undersheriff Grymbaud with the investigation, as well as keep Donald at his studies and out of the taverns. He has little success with either venture, although the discovery of some bizarre and suggestive drawings on old parchments piques the curiosity of Donald and his peers. Meanwhile, Mariota thirsts to attend medical lectures at the schools, which are closed to women, and seeks a way to gain admittance to them. When an Oxford master is found brutally bludgeoned to death, Grymbaud asks Muirteach to investigate the slaying. The eventual arrest of an aged servant at the college stirs the ever-simmering discord between townsfolk and university students. The unrest culminates in riots and another senseless killing occurs, endangering Mariota. Gleaning clues from a cryptic manuscript and desperate to save his wife, a determined Muirteach tracks a wily killer through a dark and twisted labyrinth of deceit.

Praise for The Study of Murder

"THE STUDY OF MURDER is a worthy addition to Susan McDuffie's 14th century Hebridean mystery series. Muirteach and Mariota may be in an alien world, when they accompany the son of the Lord of the Isles to Oxford, but neither town nor gown can match their clever wits in solving crime. This book is a treat for those of us eager for a fresh era, well-integrated history, and a host of interesting characters." - Priscilla Royal, author of the Prioress Eleanor/Brother Thomas Mysteries


About the Author
Susan McDuffie has been a fan of historical fiction since childhood. As a child, Susan spent such vast amounts of time reading historical fiction that she wondered if she was mistakenly born in the wrong century. As an adult her discovery that Clorox was not marketed prior to 1922 reconciled her to life in this era. Susan’s first published works were two Regency short stories in Regency Press anthologies.

Susan’s childhood interest in Scotland was fueled by stories of the McDuffie clan’s ancestral lands on Colonsay and their traditional role as “Keeper of the Records” for the Lord of the Isles. On her first visit to Scotland she hitchhiked her way through the Hebrides and the seeds for the medieval Muirteach MacPhee mysteries were planted.

The Muirteach mysteries include A MASS FOR THE DEAD (2006), THE FAERIE HILLS (2011), and THE STUDY OF MURDER (September 2013). The New Mexico Book Awards named THE FAERIE HILLS “Best Historical Novel” of 2011. Currently plotting Muirteach’s next adventure, Susan shares her life with a Native American artist and four unruly cats, and enjoys taking flamenco dance classes in her spare time. She loves to hear from readers and her website is www.SusanMcDuffie.net.


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September 10, 2013

Elisabeth Storrs' The Golden Dice {Guest Post and Giveaway}


Please welcome today, Elisabeth Storrs, author of The Golden Dice: A Tale of Ancient Rome.

An enduring style: the allure of Etruscan jewellery
By Elisabeth Storrs

I’m not the only one who admires the exquisite jewellery of the Etruscans. In the mid-19th and early 20th centuries Italian jewellers were inspired by archaeological fashions. The most influential of these was a Roman goldsmith, Fortunato Pio Castellani, and his sons, Alessandro and Augusto, who rose to eminence through their introduction of the neo-Etruscan style. 

Castellani (C19th ) pendant

original (C5thBCE) millegrain pendant

In 1860, Castellani was enlisted to be an advisor on the excavation of the Regolini-Galassi tomb at modern day Cerveteri. This site is renowned as one of the great treasure troves of Etruscan art. Castellani became fascinated by the brooches, earrings and necklaces found in the tomb which were studded with minuscule gold spheres, often smaller than a pin head. This ‘granulation’ technique was achieved without soldering and created an effect called ‘millegrain’ or ‘thousand grains.’ Knowledge of the craft of granulation was believed lost but Castellani discovered there were goldsmiths in the mountain villages near Rome who had preserved not only the secret of granulation but also another procedure called ‘fillegrain or ‘thread and grain/filigree’ where motifs were applied using thin gold wire.

Castellani millegrain brooch

The Castellanis owned a shop near the Trevi Fountain in Rome where they assembled a magnificent collection of antiquities in their showroom. Visitors could then buy replicas as a souvenir of their visit. Not so very different from the ‘museum’ shops that await you when you try to exit from any art gallery or museum exhibition today!

Emperor Napoleon III of France was a great lover of Etruscan artefacts, too. He bought the famous art collection of an Italian marquis, Giovanni Campana, which he exhibited in the Louvre. The Castallani family were commissioned to catalogue and restore the jewellery of the Campana Collection which enabled them to study ancient techniques and gain access to an enormous number of designs.

Castallani gold necklace

By 1860 neo-Etruscan style pieces had become contemporary fashion accessories and remained in demand until the end of the century. At this point complete ‘parure’ sets of jewels appeared usually consisting of a brooch, necklace and matching earrings. In fact, a couple of years ago I attended a Titanic exhibition and was amazed to see neo-Etruscan jewellery on display which indicates the ‘fad’ was still in existence in the early C20th. Indeed, it was only when diamond jewellery became increasingly fashionable that the allure of the finely wrought gold pieces faded in contrast to the attraction of sparkling gemstones.

Neo – Etruscan gold and amber parure set

The value of the Castellani family’s craftsmanship, though, has not lessened. A set of gold tasselled earrings worth around $6000 was the subject of a bidding war this year and eventually sold for $169,000! However, no matter whether it is an original or replicated piece, I always wonder about the women who wore them, be they ancient Etruscan princesses laid to rest in tombs or an ill-fated passenger who ended her life beneath icy waters.

Castellani tasselled earrings bought for $169,000

My Tales of Ancient Rome series chronicles the events of a ten year siege between Rome and the Etruscan city of Veii after the marriage in The Wedding Shroud of a young Roman girl, Caecilia, to an Etruscan nobleman, Vel Mastarna, to seal a truce. As a rich man’s wife, Caecilia is fortunate enough to be able to bedeck herself in diadems, bracelets and brooches such as those with which I’ve illustrated this post. The other two strong female characters introduced in the second book, The Golden Dice, are not as fortunate. Semni is a young Etruscan artisan who comes to work as a servant in the House of Mastarna while Pinna is a Roman tomb whore whose desperation leads to a tug of war between loyalty and love. 

Past readers of The Wedding Shroud will enjoy visiting Etruria again while others might like to venture into this world for the first time in The Golden Dice to learn how three women of the ancient world endure a war.

You will find more information on the background to Elisabeth’s books in this post on her blog, Triclinium. The Wedding Shroud and The Golden Dice are available on Amazon or via other retailers listed on her website. And Elisabeth would love to connect with you on Facebook and Twitter. If you are interested in seeing more Etruscan jewellery and art, please visit her Pinterest boards.

About The Golden Dice
“Skillfully plotted and with vividly drawn characters, The Golden Dice is a suspenseful, romantic, exciting drama…” Sherry Jones, author of Four Sisters, All Queens

During a ten year siege between two age-old enemies, three women follow very different paths to survive: 

Caecilia, a young Roman woman, forsakes her city by marrying the Etruscan Vel Mastarna, exposing herself to the enmity of his people and the hatred of the Romans who consider her a traitoress…

Semni, a reckless Etruscan girl, becomes a servant in the House of Mastarna, embroiling herself in schemes that threaten Caecilia's children and her own chance for romance…

Pinna, a tomb whore, uses blackmail to escape her grim life and gain the attention of Rome's greatest general, choosing between her love for him and her loyalty to another…

In this second volume in the Tales of Ancient Rome series, the lives of women in war are explored together with the sexuality, religion, and politics of Roman and Etruscan cultures, two great civilizations of ancient history.


About the author
Elisabeth Storrs has long held an interest in the history, myths and legends of the ancient world. She is an Australian author and graduated from the University of Sydney in Arts Law, having studied Classics. She lives with her husband and two sons in Sydney and over the years has worked as a solicitor, corporate lawyer, governance consultant and business writer. The Wedding Shroud was judged runner-up in the international 2012 Sharp Writ Book Awards for general fiction.

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September 04, 2013

Marty Shelton's St. Catherine's Crown {Guest Post and Giveaway}


Please welcome Marty Shelton in celebration of the release of his novel St. Catherine's Crown.


Why I chose to write a historical novel about Anastasia Romanov

Captain S. Martin Shelton

Since I was a nipper, the regicide of the Romanov royal family has held a singular fascination for me—especially the idea that Anastasia survived and was hiding in some exotic oriental location. Hawking this postulate were flimflam artists, magazine articles, newsreels of “new” discoveries, several books, motion-picture films (including the 1956 film staring Ingrid Bergman and Yul Brynner), female imposters, and charlatans of all stripes. The legend of her survival flourished. That is until in 1991 when DNA testing on a femur found in an unmarked grave proved conclusively that she died with her family at Ekaterinburg in July 1918.

Nonetheless, I could not let the legend die. Anastasia was an international icon of survival from the dreaded Soviet Union’s secret police, the Cheka. I would not let her fade into the dustbin of history. Shortly after I retired from the U. S. Navy, I began the research. After about a year, I’d developed a short story about Anastasia’s survival. It read Okay but it was lacking. I expanded it to a long short story. Still unsatisfied, I expanded my story of Anastasia to a novella. And there it sat for a year or so. I knew my novella raised more questions than it answered. Finally, I tackled the subject head on and several years later had a full-fledged manuscript. Notwithstanding with the keen help of several people: editors, artists, consultants, and pals that urged me to stick with it when I became frustrated at my dead ends.

About the book
Retired Naval Captain S. Martin Shelton’s 40+ years of military service, including active duty in the Korean and Vietnam wars, required that he travel throughout the world, with particular emphasis on the Far East. Shelton has an extensive background in Soviet and Chinese studies which fostered his interest in the 1917 Russian Revolution, the Bolshevik’s regicide of the Czar, Empress, and their five children, and the burgeoning Soviet Communist régime. Shelton’s particular interest in China focuses on the chaos during the 1930’s.

Shelton explores Russian History in his blog, and authored, St. Catherine’s Crown, an historical novel begging the question: What if Anastasia survived?

1917‐ Empress Alexandria understands that the Bolsheviks will soon topple the Czar. She charges her godson, Kirik Pirogov, to carry the imperial crown of Catherine the Great and a cache of Romanov jewelry to a secret czarist refuge in western China. Alexandra informs her youngest daughter, Grand Duchess Anastasia, of the escape route necessary to carry on the Romanov Dynasty.

Kirik and Anastasia make perilous journeys across Siberia via the Trans‐Siberian Railroad. Their story is told against a background of revolution, their hardscrabble life in the Russian village, constant fear of the Cheka (Soviet secret police), and unscrupulous treasure‐hunters.

ISBN: 978‐0‐9892861‐1‐4
August 2013, Lamplight Press
Ingram, Amazon, Barnes & Noble
Paperback & Digital

St. Catherine’s Crown Excerpt:
The Romanov family rushes to dress and pack a few personal belongings. When the family arrives in the cellar, the Cheka sergeant tells them that their transportation will arrive shortly. A guard brings a chair for the Empress. For a moment, Alexandra’s heart fills with hope. If the Czech Legion and White Army are so near, rescue might be imminent. Soon they might all be free, on their way to England. She was right, she thinks, not to send Anastasia away on her own. Now the family will be together. She puts an arm around her youngest daughter’s waist. Thanks be to God.

Suddenly a squad of Cheka soldiers with their rifles at port arms marches single file and at double time into the cellar. After the last soldier is in position, the first sergeant commands, “Squad, halt! Right face.” The soldiers turn to face the Romanovs. After a moment, the sergeant shouts, “Squad, ah‐ten‐hut!” The sound of rifle butts hitting the concrete floor reverberates throughout the cellar.

Several minutes later, Major Vasili Yurovsky enters. He is the senior Cheka officer in the area. He wears the summer grey short‐sleeved tunic uniform with red piping and his major’s pips on the shoulder boards.

“Present. Arms!” commands the first sergeant.

The soldiers bring their rifles to the present‐arms position to salute their commanding officer.

In return, Major Yurovsky returns a snappy hand salute.

The Czarevich, Alexi, giggles in delight at the military prompt.

However, fear and concern race through the rest of the Romanov family. Alexandra knows exactly what is happening. The Czar, Anastasia, and her three sisters wonder what this military demonstration has to do with their rescue by the Whites or the Czech Legion.

“Order arms!” commands the sergeant. The soldiers return their rifles to their right side. The pounding of the rifle butts hitting the concrete floor sends chills through the Romanovs, causing them to wonder what is happening.

Yurovsky orders Alexandra to stand. She stares with smoldering hostility at Yurovsky. But, no longer enjoying the resources of royal status, she complies. After a moment or two she slowly moves a few paces to her left, next to Anastasia.

With his arms akimbo, Yurovsky walks down the line of the imperial family. He stops in front of each person and looks intently into their eyes. All but the Empress turn away from him. Summoning all her courage, she returns her most imperious glower of disdain. He smiles faintly at her feeble attempt at bravado.

The Czarevich is dressed in his sailor uniform. Maintaining proper military protocol, he salutes Yurovsky. The major stares at him contemptuously and does not return the salute.

Major Yurovsky turns to the first sergeant and snaps, “On my orders!”

“As you say. Sir!”

Yurovsky moves to the cement steps and climbs three. “Port arms!” he shouts. He surveys the scene to ensure that the Romanovs are positioned correctly and that his soldiers are ready.

Satisfied that the staging is correct, Yurovsky commands, “Fix bayonets!”

There is a loud clanging of metal as the soldiers snap their bayonets onto their rifles.

Anastasia now understands with crystal clarity the task that her mother assigned to her so long ago. They are not going to be rescued, and she and her family are going to be murdered by the Bolsheviks. An overwhelming fear of death engulfs her. Her family is in this cellar for an execution. She fights to be brave and to hold back her tears. Her mother cannot help her.

“Load!” The soldiers pull back the bolts of their rifles, then jam the bolts forward, loading a round into the rifles’ chambers. The metal‐on‐metal clicking sends a vibration of horror through the cellar.

The other three daughters begin to sob and make the sign of the cross as they realize their fate is death. Alexandra commands, “Be brave. You are Romanovs. St. Nicholas will guide you.”

The Czar has been standing silently, as if he were in a dream. Aroused by the loud clicking of metal,
he exclaims, “What!”

“Aim!” The riflemen select the nearest target.

The Romanovs see the loaded rifles with bayonets pointed at them. Their fate is all too clear.

Cries. Screams.

“Fire!”


About the author
Captain Shelton earned his Bachelor of Science degree (Physics) from St. Mary’s University, San Antonio, and his Master of Arts in Cinema from the University of Southern California. For several years, he produced a host of information motion‐media shows, winning over forty awards in national and international film competitions and festivals. He was elected a fellow of the Society for Technical Communication and the Information Film Producers of America.

Shelton has published extensively in trade magazines, peer‐reviewed journals, and commercial publications. After retirement from the Naval Reserve, he completed his book Communicating Ideas with Film, Video, and Multimedia, which earned the Best of Show award in a major publication competition. He continued his writing completing his first novel St. Catherine’s Crown. He has authored a number of short stories and three novellas, all unpublished. Now he is working on his second novel, which he has titled Abyssinia. The narrative is set shortly after the conclusion of the Second Italian‐Abyssinian War in 1936.

Visit the author: Website | Facebook | Goodreads

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August 27, 2013

Guest Post: R.W. Peake's Marching with Caesar


Please welcome R.W. Peake as part of the virtual tour for his novel, Marching with Caesar: Antony and Cleopatra, Part II-Cleopatra.

Cleopatra: Heroine or "Ho"?

Before I begin, I want to ask forgiveness for this title, but ever since I first saw Eddie Murphy's skit on Saturday Night Live as Velvet Jones, hawking his Velvet Jones School of Technology and its course, "I Wanna Be a Ho", I've always wanted to use that term in some way. And of all the female figures in history, I think that Cleopatra VII has generated more debate about which characterization suits her best than any other. Considering that during a period of history where women were little more than reference points used to determine bloodlines and were relegated to the shadows, Cleopatra is one of the few women of her, or any era up until recently for that matter, who excited commentary from a number of different sources.

But, like with anything that falls under the auspices of "history", it behooves us to look askance at those contemporary chroniclers, and at the very least, try to understand the context under which they operated. And I would argue that, more than just about any other figure from history, Cleopatra is a victim of the adage that talks about history being written by the winners. 

I will be the first to acknowledge that I am not a scholar whose focus was Cleopatra, or the Ptolemaic dynasties; my knowledge of the woman who would be the last in the dynasty established by Alexander's general that ruled Egypt is based on the research I did to support the part of Titus Pullus' story that was begun in Marching With Caesar-Conquest of Gaul, and continues with the recent release of Marching With Caesar-Rise of Augustus. However, from the outset I have wanted to maintain a high fidelity to the historical record, such as it is, for the 42 years that the Marching With Caesar series covers. Because Cleopatra figures prominently in two books; Marching With Caesar-Civil War, where we first meet the young monarch during Caesar's sojourn and ordeal in Alexandria in the immediate aftermath of Pompey's defeat at Pharsalus, while the second book, and the one that is the subject of this online tour, Marching With Caesar-Antony and Cleopatra: Part II-Cleopatra, covers an older, wiser and more ambitious Cleopatra, I had to become more familiar with the Macedonian queen than I might otherwise would have, left to my own devices.

And what I found, even after devouring the obligatory primary sources and going on to more contemporary authors, including Stacy Schiff's book, Cleopatra-A Life, still left me with no true grasp on who the woman was. As I plowed through Plutarch, Caesar, Appian, Suetonius, et. al., I was always cognizant of one thing; this was a woman who was personally hated by the man who would become the most powerful and important figure of his age in Augustus. And considering that, with the exception of Caesar's account of his time in Alexandria, which was probably written by someone else and not him personally, all of the writers only knew the queen secondhand, and then it was through a filter. A filter provided by the ultimate victor in the titanic struggle that took place in the last century of the B.C. era, that saw the final death throes of the Roman Republic and established an Empire. In other words, by someone with a vested interest in how not only he himself is portrayed, but his adversaries as well. How better to paint oneself as the ultimate good guy by making sure that your enemy is painted in the darkest shade of black? And in that, I have to acknowledge that I think Augustus' demonization of Cleopatra is the best example of successfully defining one's adversary that has ever taken place throughout history. Neither Saddam Hussein nor Osama bin-Laden were so thoroughly defined by their enemies as was Cleopatra. 

So, who was Cleopatra, really? I would say that your guess is as good as mine, but what I hope is that the Cleopatra who walks through the pages of Marching With Caesar-Antony and Cleopatra is more than just the cardboard cutout villain. Considering the fact that she was in the very unique and dangerous position of being a sovereign of a country that couldn't hope to hold its own with the ranking superpower of the day, I for one understand that she had to be willing to do everything imaginable, to and for others, just to keep her position. I don't think it's a stretch to say that, because of the Ptolemaic practice of keeping things in the family, the babe Cleopatra probably had a basic understanding of the need for planning and scheming, even before she could talk. In her treatment of her siblings, she wasn't doing anything that hadn't been done before by those of her own blood. It's a tribute to that ability to plot that she survived to rise to the accession of the throne of Sedge and Bee, and to her ruthless focus and willingness to use every tactic available to her to stay there. 

Much has been made of Cleopatra The Temptress, the Eastern harlot that seduced not one, but two of the most powerful men, not just in Rome but in the entire known world. What is less well known by the casual reader, at least until the HBO series Rome, is that Cleopatra only went two for three in her attempts to bring the mover and shaker of the moment under her sway. And while every pro baseball player alive would kill to have that kind of batting average, I would argue that Cleopatra's last "batting attempt" was the most important. The fact that she failed in her attempt to seduce Octavian (even now I am loath to call him Augustus; of all the characters I've written about in this series, he is my least favorite or admirable) I think had less to do with her womanly charms and more to do with the fact that of all the men she could attempt to dazzle, Octavian was last on the list to be susceptible. While this tactic of seduction may seem unseemly, particularly to people of our age, what I realized as I thought about it was that, simply put, Cleopatra's options were pretty much limited to one move, and one move only. Egypt's army, such as it was, had been soundly defeated by a motley collection of Cohorts from the 6th Ferrata, a green 28th Legion, and a Legion consisting of the remnants of Pompey's defeated army, some sixteen years before. Granted, it was a Roman army led by the greatest general Rome, and the world, had ever seen, but it had to be an important lesson for the monarch. By the time she and Octavian faced off, the other arm of her military might, which on papyrus at least, was the greatest naval force in the world, had also been crushed at Actium. Out of options militarily, what did she have left? As I see it, she had two, of which one of them was money, and it was true that she had a LOT of money. But as it would turn out, Octavian already held the keys to the treasury; how he knew the location of Egypt's wealth has been attributed to his adoptive father's astonishing memory, but the truth is, nobody really knows how he knew. I think it's just as likely that one of the keepers of what was the biggest state secret in the world succumbed to persuasion of one sort or another. But it makes a better story to have the location relayed to Octavian from Caesar, and I for one am content with that. 

So no military or naval action was available to her, and money wasn't the answer either. Which leaves, what, exactly? What else could she have done, as a woman in the ancient world, no matter how powerful she may have been, other than what she tried? No matter what she attempted, one thing is certain; Octavian and his massive propaganda machine was going to paint it in the worst possible light, and it's the remnants of that smear campaign that come down to us now. Like all good propaganda, there was a grain of truth to Octavian's accusations; I think it strains credulity to think that Cleopatra decided to have an affair with Caesar, particularly when in all likelihood she was a virgin at the time, just because she liked the color of his eyes. There was undoubtedly more than a grain of calculation in her decision, and self-interest for that matter. But again, what I came away with after my research was the question; what other options did she have to retain at least a semblance of her autonomy? Enter Marcus Antonius, and while the man was different, the essential underlying issue, and her answer, was the same. Cleopatra simply did what she had to do in order to protect herself. 

However, where I think the biggest mystery lies is not in what she did to look after herself, and by extension, Egypt. What intrigues me is, once she had established herself as Mark Antony's paramour and partner, what were her ambitions concerning Rome? In her maneuvering, was she just doing what she thought she needed to do in order to keep Rome out of Egypt's business, at least as much as possible? Or did her ambitions extend to re-establishing Egypt as the predominant power in the Mediterranean, and the only way to do that was to bring down Rome? That is the real mystery of Cleopatra, at least to me, and is what makes her one of the most fascinating characters of her age. No matter what Octavian says!

About the book
Publication Date: April 1, 2013
Self-Published
Paperback; 598p
ISBN-10: 0985703083

In the fourth book of the critically acclaimed Marching With Caesar series, Titus Pullus and his 10th Legion are still in the thick of the maelstrom that follows after the assassination of Gaius Julius Caesar. With the disastrous campaign in Parthia behind them, Mark Antony continues his struggle with Octavian, both men vying for ultimate control of Rome. Enter Cleopatra VII, the Pharaoh of Egypt and mother of Julius Caesar's son, who harbors ambitions and dreams of her own. Through her son Caesarion, Cleopatra is a powerful player in her own right in the continuing drama being played out for control of the most powerful society on Earth. With Cleopatra combining forces with Mark Antony, Octavian, the legitimate heir to Caesar's fortune is facing the most formidable barrier to his ascendancy yet. Through it all, Titus Pullus and his men must tread a very careful path as the two forces head for an inevitable showdown at a place called Actium.

About the author
I am a retired Marine, with a primary MOS of 0311, although over the years I picked up a few other designators, but I guess I will always think of myself as a grunt. I was born and raised in Houston, and have only recently relocated to the Olympic Peninsula of Washington. After my medical retirement from the Marines and realizing that my experience at locating, closing with and destroying the enemy by fire and maneuver was not exactly going to have employers knocking down my door, I decided to earn a Bachelor's degree, majoring in History, with a goal of teaching. Then my daughter came to live with me full-time, and while thrilled, I learned very quickly that a teacher's salary would not support her in the style in which she was accustomed.

So I went into the software business, starting at a small startup that I stayed at for 10 years, clawing my way to middle management, to echo a commercial of that era. My company went public, and I had these things called stock options, so for a brief period of time I was one of those tech paper millionaires. Then the great NASDAQ crash of 2000 happened, and I was a working stiff again. When my company got bought in 2006 by one of the largest software companies in the world, I very quickly learned that working for a big company was not for me, so I took the lure of the (relatively) big bucks as a VP of a much smaller company. It was the worst professional mistake of my life, but the one good thing that did come out of it is that my dissatisfaction drove me to consider taking a risk on something that those who know me had pushed me to do as long as I can remember, and that was to write.

I must admit that I have always enjoyed writing; in fact; I wrote my first novel at 10ish, featuring myself and all of my friends from the street where I lived who almost singlehandedly fought off a Soviet invasion. I was heavily influenced by WWII history at that time, it being my second historical passion after the Civil War, so our stockpile of weapons consisted almost exclusively of Tommy guns, M1's, etc. Why the Russians chose my particular street to focus their invasion I didn't really go into, but after a series of savage, bloody battles, my friends and I were forced to make a strategic withdrawal to the only other part of the world I was familiar with at that time, the Silverton area of Colorado. I recently re-read this magnus opus, and it is interesting to track the course of my friendships with the core group that were the main characters of my novel. Some sort of argument or disagreement would result in the inevitable serious wounding of the friend with whom I quarreled, and depending on how serious it was, they might linger for days, clinging to life before they recovered, but not after suffering excruciating pain.

From that beginning, through my adult life, I was always told that I showed talent as a writer, but it wasn't until I hit the age of 50 that I decided it was time to find out if that were true. And the result is Marching With Caesar-Conquest of Gaul, the first in a completed trilogy that is the story of one of the lucky few men who managed to survive and retire, after rising through the ranks of the 10th Legion. I hope that you enjoy following Titus Pullus' exploits as much as I enjoyed bringing him to life.

For more information, please visit R.W. Peake's website.


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